tag:blogger.com,1999:blog-16972237950632772622024-03-28T22:29:40.126-05:00Pharr From HeavenEduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.comBlogger283125tag:blogger.com,1999:blog-1697223795063277262.post-82877632882970910792017-10-16T18:10:00.001-05:002017-10-16T18:13:28.493-05:00Texas Farmworkers Union "March for Human Rights" (1977)<div class="separator" style="clear: both; text-align: center;">
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On Feb. 26, in San Juan, Texas, there was a gathering to celebrate the 40th anniversary of the Texas Farmworkers Union’s “March For Human Rights”. Exactly 40 years earlier in 1977, the TFWU started a march in San Juan that took them to Austin by April, then ultimately to Washington, D.C., in September. Altogether they marched more than 2,000 miles demanding human rights for farmworkers and to repeal ‘Right to Work’ laws protected in the Taft-Hartley Act. This video from Abel Orendain, one of the son's of Antonio Orendain, has footage from this famous march in Rio Grande Valley history. </div>
Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-2491427877801747392017-10-13T15:45:00.000-05:002017-10-16T15:46:00.951-05:00Upcoming Lucha Libre in the Rio Grande Valley<div class="separator" style="clear: both; text-align: center;">
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The weekend of October 21-22 is a major one for professional wrestling in the Rio Grande Valley. In the lower Valley, Hallowmania 9 is taking place on Saturday night, October 21, with the Lucha Brothers (Penta el Zero M and King Fenix) in action at the Jacob Brown Auditorium in Brownsville. In the upper Valley, Robles Promotions is presenting a lucha libre extravaganza that is set for Sunday afternoon, October 22, headlined by top AAA star Psycho Clown. It will be taking place at Famoso Fuego in McAllen, starting at 3 PM.<br />
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The show will is schedule to include many luchadores, including Pagano, Hijo del Fantasma, Texano Jr., former TNA star Hernandez, Ramses, La Mascara, someone being promoted as Nacho Libre, Big Neurosis, Corazon de Barrio, Christy Jaines, Mystique, Aguila Azteca, Black Cougar, Al Cruz Jr., Rey Negro, Brysin Scott, Danny Chance, Veronica Brazier, Myzterio, Nite Mare, Pete Pain, Rey Kuervo, Aqua Fish, cult favorite Ronald El Jorobado (a Ronald McDonald hunchback character...), Minion 1, Mini Spiderman, and an appearance from legendary lucha libre pro-rudo commentator Arturo Rivera. No word yet on what matches are going to be taking place, who will be fighting who, between all these luchadores.<br />
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This show is being built off last months “Gran Homenaje Brazo de Plata (Super Porky)” event at Famoso Fuego on September 17. Porky is the father of Psycho Clown, who is one of the many members of the legendary Alvarado wrestling family. Clown has been climbing up the ranks at AAA (one of the top professional wrestling companies in the world; based out of Mexico) in the past few years and had his breakthrough match on August 26 at Triplemanía XXV.<br />
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On that date, Clown took on lucha libre icon Dr. Wagner Jr. in a ‘Lucha de Apuesta, Mascara vs Mascara’ (Mask vs Mask) match, the biggest type of gimmick match one can have in Mexico. After 28 minutes of back and forth action, and lots of mask ripping and plenty of blood from both men, Clown defeated Wagner Jr. with his version of the ‘Code Red’. Wagner Jr. was thus forced to remove his mask, which he has had since 1985, and reveal himself for the first time in public as 52-year-old Juan Manuel González Barrón. The biggest win a luchador can have is beating a legend in a Mask vs Mask match, and this cemented Clown as the top star in AAA.<br />
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The match was a huge success for AAA and Clown. The card drew over 20,000 fans to Arena Ciudad de Mexico. It aired on Twitch for viewers around the world in English and Spanish, and the Clown-Wagner showdown also aired on Televisa in Mexico on the same night as the Floyd Mayweather Jr. vs Conor McGregor fight. With both matches being aired for free on Televisa in Mexico, Clown-Wagner drew an amazing 22.8 television audience rating, edging out Mayweather-McGregor's 19.9 television audience rating on that same channel.<br />
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This will be Clown’s first appearance in the Valley since his career-turning match with Wagner Jr. Presale tickets for the event are going for $20.00, and can be bought at Novedades Martinez in Pharr. For more information on this lucha libre extravaganza, one can call at 956-681-7998.<br />
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There is so many lucha libre shows going on at this point in time in the Valley, that it's difficult to keep track for those that don't listen to Spanish-language radio or go to Mexican restaurants where flyers are up. Right before press time, I found out that there is yet another show happening this Saturday night, October 14, at the South Texas Fighting Academy in Mission, Texas, at 7:30 PM. The show will be main evented by Caristico, who formerly went by Mistico during the CMLL (Consejo Mundial de Lucha Libre) boom period of the mid-2000's, and who used the Sin Cara moniker in the WWE from 2011 to 2013. During his glory days in CMLL, Mistico had a memorable feud with the late, great rudo Perro Aguayo Jr. and his group Los Perros del Mal. Attempts to make him into the next big Latino star for the WWE didn't really pan out and he's back in the lucha libre circuit.<br />
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Joining Caristico for Saturday night's card will be Los Ahijados del Dracula, Los Reyes, Black Cat, Misterioso Jr., Temblor, Gemelos Pantera I y II, Pantera Blanca, Turok, Imagen de Oro, Principe Celestial, Aslum, Turok Jr., Temblor Jr., Mariposa Salvaje, Panda, and Imagen 2, who got Monitor headlines in 2013 after the FBI and SWAT invaded a lucha libre show in McAllen because they confused him for a drug-trafficking luchador that used the same Imagen 2 name. Someone didn't alert the FBI that luchadores use the same (or similar-sounding) names way too often.<br />
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Pre-sale tickets are $20.00 for adults, $10.00 for kids, and for more information you can call 956-570-0174.<br />
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There is a lucha libre and independent wrestling renaissance going on right now, and I just love it. So much great, great stuff going on right now, it's fun to keep track of everything that is happening in the world of professional wrestling.Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-16792285417376215372017-10-06T15:54:00.000-05:002017-10-16T15:54:55.896-05:0026th annual NMCAC Conjunto Festival This week, I'm going to be recommending different recent videos from 2017 to check out of top conjunto musicians who were originally scheduled to perform at the now cancelled 26th annual Narciso Martinez Cultural Arts Center Conjunto Festival.<br />
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“Mi Ranchito” by Los Donneños - Ramiro Cavazos, who celebrated his 90th birthday in February and who is one of the great pioneers of music in the Rio Grande Valley, is still playing the bajo-sexto and singing at his shop in McAllen, on 23rd street. Cavazos first recorded with Mario Montes in the late 1940s for Falcon Records, where they were named Los Donneños by label owner Arnaldo Ramirez. In this video, he is joined by longtime his longtime accordionist Beto Espinoza, as they do their rendition of “Mi Ranchito” at Cavazos’ shop. Cavazos, along with Montes, appeared in a few films that starred Piporro, and with Narciso Martinez in the Les Blank and Chris Strachwitz documentary “Chulas Fronteras”.<br />
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“Eva Ybarra Honored at the 2017 NEA National Heritage Fellowships Concert HD at Concert” - Eva Ybarra showcases her unique and progressive accordion-playing style in this new video recorded by the National Endowment of the Arts. Ybarra is a San Antonio native, and developed a completely unique style that stands out on its own as one of the best in conjunto music. Ybarra became the first conjunto musician ever to be an artist-in-residence at a major university when she was invited to be one by the University of Washington’s Ethnomusicology Department in 1997. That experience inspired her to record an album titled “Space Needle”. Ybarra has been a regular at the major conjunto festivals over the decades, including both the Tejano Conjunto Festival in San Antonio and the Narciso Martinez Cultural Arts Center Conjunto Festival in San Benito.<br />
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“Los Texmaniacs at the Smithsonian Folklife Festival: “México Americano’” - Los Texmaniacs have become conjunto music ambassadors, and this is another example of them doing just that. Led by bajo-sexto player Max Baca, his accordion playing nephew Josh Baca, and Edcouch-Elsa native and bass player Noel Hernandez, the group performs a great take on the classic “México Americano”. Baca has been playing the bajo-sexto since he was a child, and learned under the legendary accordionist Flaco Jimenez and bajo-sexto maestro Oscar Tellez. Baca also collaborated with Jimenez and the Rolling Stones for the album “Voodoo Lounge”.<br />
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"Linda Escobar on Domingo Live" (07/30/2017) - Linda Escobar has been singing for conjunto bands since she was a child, and continues to do so in 2017. A few years ago, she celebrated her 50th anniversary in conjunto music, just to give you an idea of how long she’s been doing this. In this video, she appears on the Corpus Christi-area program “Domingo Live” to sing several songs with her conjunto, Conjunto Amable, and to promote “Vi Una Nube”, the groups’ new album. The last time I saw Escobar perform in person was at the 23rd annual Narciso Martinez Cultural Arts Center Conjunto Festival, where she performed with the iconic Edinburg conjunto Los Dos Gilbertos.Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-27777353275535932962017-10-06T15:48:00.000-05:002017-10-16T15:48:04.696-05:00Interview with Daga<div class="separator" style="clear: both; text-align: center;">
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Internationally known luchador Daga was in the Rio Grande Valley recently wrestling in McAllen for Lucha Powerhouse. The former AAA World Cruiserweight Champion is best known for his time in the AAA organization where he wrestled there for six years. He also made some appearances on Lucha Underground on El Rey Network. Daga left AAA earlier this year, to explore the independent wrestling scene, which is currently going through a unique boom period.<br />
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Recently Daga defeated Nicho el Millonario (the former Psicosis, who wrestled in AAA and WCW under that character name), in a Hair vs Hair match. Daga took some time out of his busy schedule to talk to me about his training, his favorites, and the current professional wrestling scene in 2017.<br />
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EM: To start things off, I read that you trained with two great legends in Black Terry and Negro Navarro, what can you say are some things you learned from those two maestros?<br />
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Daga: I’ve always liked the classic style of lucha libre, I’ve always liked it. I’ve become a complete professional wrestler because I can fly, wrestle hardcore, wrestle on the mat. By training with Navarro, Black Terry, and I also trained with CMLL (Consejo Mundial de Lucha Libre), my maestros have always been ‘old school’, so the most important thing I learned was to love lucha libre and to project how it used to be, that pure science, that classic style. I’m in a revolutionary era where there is hardcore and high-flying, so I’m prepared to do whatever style but I learned how to love what I do from those two.<br />
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EM: Who were your favorite wrestlers when you were a child?<br />
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Daga: When I was a child, I had a few. When I was an adolescent, that’s when I had more. One of them was Negro Casas. I liked a lot of American [and international] wrestlers, like Eddie Guerrero, Chris Benoit, Dynamite Kid, Tiger Mask I, Mitsuharu Misawa, Masato Tanaka, Satoshi Kojima. All of them were wrestlers I liked a lot, and they are all part of the style I use today. I liked wrestlers from all over the world but those were my favorites.<br />
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EM: Do you keep up with current international and independent wrestling?<br />
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Daga: Yes, now that I’m an independent wrestler, my goal now is to wrestle more in America. So I keep watching American, ‘indie’, Japanese wrestling. It wasn’t that long ago that I saw [NJPW] Wrestle Kingdom 11, which was a really good event. So I keep watching. People recognize Daga from television, but now [that I plan to tour more] they are going to know a new different Daga, with more wrestling.<br />
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EM: You mentioned Wrestle Kingdom, what did you think of the Kenny Omega vs Kazuchika Okada match that everyone is talking about?<br />
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Daga: I don’t think it’s a 6-star match, but I think it’s like 5 ½ stars, no more than that. Omega I think is one of the best wrestlers in the world today, if not the best. Okada is good too, but I think the one that made that match was Omega.<br />
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Note: The ‘6-star match’ is in reference to Dave Meltzer giving the match that rating in the Wrestling Observer Newsletter, which caused a lot of debate online.<br />
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EM: You mentioned Omega, who else do you think are among the best in the world today?<br />
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Daga: Today, there is Omega, The Young Bucks, Adam Cole, Kyle O’Reilly, there’s so many good wrestlers in the world today. La Rebellion in Mexico too, they are also good wrestlers. The European scene is really good too, with Will Ospreay, Marty Scurll, Zack Sabre Jr. There are so many good wrestlers, I think we are in a moment where I wished all the good wrestlers from around the world, from all countries, would start traveling and touring more so we could see professional wrestling grow more and more.<br />
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EM: Are there any wrestlers from the independent scene that you’d like to step in the ring with?<br />
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Daga: Lots of them (laughs). I would love to go to Japan and wrestle with everyone, Okada, Katsuyori Shibata (note: this was before Shibata suffered his serious head injury), Zack Sabre Jr., The Young Bucks, Kenny Omega. I think right now there are so many good wrestlers all around the world, that all I can say is that I’d like to wrestle them all. From Japan, Europe, to the United States, all of them.<br />
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EM: Last question since you mentioned La Rebellion and you’re in the group, what does La Rebellion mean to you?<br />
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It’s the best of pro wrestling. I think we have everything we need to do things the right way and succeed. We have Penta, who is a great rudo. Fenix who is a natural high-flyer. They have me, who wrestles with [submission] holds and strong style. Humberto Garza, who keeps moving forward and who women like a lot. I think it’s a great buffet of lucha libre, it’s a movement where La Rebellion are just not four people, but all the people that support us.Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-45314008853509993182017-09-29T16:00:00.000-05:002017-10-16T16:03:04.227-05:00Interview with Penta el Zero M<div class="separator" style="clear: both; text-align: center;">
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Hallowmania returns to Brownsville on October 21 at the Jacob Brown Auditorium, and the main event is set: lucha libre superstars Penta el Zero M and his brother Rey Fenix, better known collectively as the Lucha Brothers, will be squaring off against The Mechawolf and Ultimo Ninja.<br />
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The Hallowmania 9 card will also include Willie Mack, Laredo Kid, Hijo de Fishman, Keira, Ivelisse, Ciclon Ramirez Jr., Canek Jr., and Eso el Payaso. Penta has been all over the place these past few years, and most recently competed at the PWG Battle of Los Angeles 2017 in August, a showcase event for the biggest stars of independent wrestling. He faced former WWE star Matt Sydal and former UFC standout and current Scenic City Invitational winner Matt Riddle there. Penta previously wrestled here in the Rio Grande Valley earlier this year at events promoted by Promociones Salinas and Lucha Powerhouse. This upcoming event is his return to the borderlands of South Texas.<br />
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I had the chance to speak to Penta about his career, his favorite wrestlers growing up, the state of wrestling today, and what he thinks of the Rio Grande Valley.<br />
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Note: This interview was conducted in Spanish, and this is the English translation of our conversation.<br />
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Eduardo Martinez: Why did you decide to leave (major lucha libre Mexican promotion) AAA?<br />
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Penta el Zero M: Because basically I want to be looking for other horizons, I want to explore and stand out more (in the wrestling world). Being in AAA has limited us a lot. So I wanted to embark on this new journey to grow more, professionally speaking.<br />
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EM: Do you have a favorite memory from your time in AAA?<br />
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PeZM: I always enjoyed all my wrestling matches. Wrestling, what happens in the ring is different from what happens outside of the ring. All the matches I had in AAA were pretty good, and I enjoyed being in the ring one-hundred percent.<br />
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EM: Who were your favorite luchadores when you were a kid?<br />
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PeZM: In my time my favorites were Fuerza Guerrera, the one who nowadays goes by L.A. Park [Note: L.A. Park is the original La Parka, who went by that name in the early days of AAA and late 1990’s WCW. He changed his name in the 2000’s to L.A. Park for copyright reasons, and now AAA has someone else using the La Parka name], Canek, the idols of the moment then like Rey Mysterio, Pierroth, Octagon. Those were some of the luchadores that were my idolos.<br />
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EM: Who do you think are the best luchadores in Mexico? Where do you think Mexico stands are far as talent?<br />
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PeZM: It doesn’t matter what promotion they are in, whether they are in the independents, in AAA, or in Consejo (Mundial de Lucha Libre), I believe that right now there is so much talent in Mexico. And I believe we’ve [Note: Penta is sitting with current lucha libre star and his friend Daga, who also left AAA, while this interview is being conducted] reflected that, by how we’ve transcended borders, how we are working on this side (of the border), and how much the people love Mexican wrestling, so I think that speaks well of the Mexican luchador.<br />
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EM: So the last few years you’ve been wrestling a lot in the American independent wrestling scene. I’ve seen you wrestle Chris Hero in matches that I’ve liked a lot, and many others. What are your thoughts on the American independent wrestlers and scene you’ve encountered?<br />
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PeZM: I think I’ve faced the best that the American independent wrestling scene has to offer, like Chris Hero, Sami Callihan, RVD, Ricochet, Raymond Rowe, Zack Sabre Jr., Will Ospreay, and so many other names that I’ve left out. So many people with who have built their great names and showcased their great talent. Also Rey Mysterio and Alberto el Patron, I feel like I’ve been in the ring with the best in the world, when it comes to lucha libre.<br />
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EM: You’ve become a regular here in the Rio Grande Valley, can you tell us what your impressions have been so far?<br />
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PeZM: The people here have always received us very well, the people here are great, here and all of Texas. And that motivates us to give one-hundred percent up there in the ring.<br />
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EM: Thank you Penta.<br />
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PeZM: Gracias.<br />
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What: Hallowmania 9<br />
Time: 7:00 PM<br />
Date: 10/21<br />
Cost: $20.00, $25.00 (ringside)<br />
Phone: 956-518-2460<br />
Location: Jacob Brown Auditorium in Brownsville.Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-29506258688288834662017-09-29T15:56:00.000-05:002017-10-16T15:57:00.484-05:00Round-Up<div class="separator" style="clear: both; text-align: center;">
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This week, we're going to have a round-up of some of the most anticipated Tejano, conjunto, and cultural events of the month of October, and two updates regarding previous stories.<br />
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--South Texas conjunto legend Pepe Maldonado has lined up the month of October with another quality list of top conjunto acts from the Valley and beyond. Thanks to Joe Maldonado for reaching out and always letting me know the upcoming schedule. These are the following acts scheduled for this month of October: Roberto Pulido y Los Clasicos (October 1), Los Nuevo Chachos de Jesse Gomez and Chuy Flores (October 8), Bernardo y sus Compadres (October 15), Los Texmaniacs (October 22), Ruben Garza y La Nueva Era and Orlando Rodriguez (October 29). Entry fee is $10.00, and the music starts at 6 PM every Sunday night. For more information on these upcoming events, you can visit https://www.facebook.com/lalomitapark?fref=ts or call La Lomita Park owner and promoter Pepe Maldonado at 956-867-8783.<br />
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--Elida Reyna y Avante will be playing at the Outta Town Dance Hall on October 14, Saturday night, in Mission. This year marks 14 years that Elida Reyna has been singing and leading the way with the group Elida y Avante. Tickets are $15.00 presale and $20.00 at the door. For more information call 956-584-1812.<br />
<br />
--The legendary La Villita in San Benito has re-opened again this past Summer, and is the longest lasting conjunto venue here in the Rio Grande Valley. It has opened and closed during the past couple of decades, after first establishing itself during the 1940's and going through a conjunto golden era in the 1950's and 1960's. The following ats are confirmed for the next five weeks: Jesse Flores y la Ralea Tejana (September 30), Los Badd Boyz del Valle (October 7), Javier y Los Latinos (October 14), Ruben de la Cruz y su conjunto (October 21), and Ramon Lucio y Conjunto Dominante (October 28). Doors open at 7 PM, with dances going from 8 PM to midnight. $10.00 per person. <br />
<br />
--Legendary accordionist Eva Ybarra, who we've written about here previously in a cover story for the Festiva and who is a regular at the Narciso Martinez Cultural Arts Center, was a recipent of the National Heritage Fellowship from the National Endowment of the Arts. She received her award on September 14 in Washington, D.C. For those of you interested in seeing the video that they did in showcasing Ybarra's unique conjunto career, go to YouTube and look up: 2017 NEA Heritage Award Fellow Eva Ybarra.<br />
<br />
--On October 12, 2017, the Roma ISD Choir, Orchestra, Conjunto, Folklorico, and Mariachi students will be having a grand showcase of performances during a benefit show called "To The Gulf Coast With Love". Tickets are $10.00 and will take place at the Roma ISD Performing Arts Center.Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com1tag:blogger.com,1999:blog-1697223795063277262.post-63613423857244006052017-09-22T16:12:00.000-05:002017-10-16T16:12:27.587-05:00End of an Era for Los Fantasmas del Valle<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQSJQLx-KPy_rf4Ruk0I1T09KKZa3rCSHmu2rRgXN9A_Ui3JjXqeSs508ynQ3hEFKGEyhXg3-0KXA_LNwUl5VgHmI-1I2t04JQ659heHhI9D7z-443D3xutMo9uPgne9VsVmUkMU31xO0/s1600/Rodney+Rodriguez+at+the+Narciso+Martinez+Cultural+Arts+Center+Conjunto+Festival+in+2014.+Photo+by+Eduardo+Martinez..jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1068" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQSJQLx-KPy_rf4Ruk0I1T09KKZa3rCSHmu2rRgXN9A_Ui3JjXqeSs508ynQ3hEFKGEyhXg3-0KXA_LNwUl5VgHmI-1I2t04JQ659heHhI9D7z-443D3xutMo9uPgne9VsVmUkMU31xO0/s320/Rodney+Rodriguez+at+the+Narciso+Martinez+Cultural+Arts+Center+Conjunto+Festival+in+2014.+Photo+by+Eduardo+Martinez..jpg" width="213" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Rodney Rodriguez.</td></tr>
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After 17 years, 33-year-old accordionist Rodney “El Cucuy” Rodriguez of Rio Grande City has left the iconic conjunto Los Fantasmas del Valle.<br />
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This won’t be the place to spread rumors or chisme about what is exactly going on or what went down between the bandmates in this conjunto. I don’t know, first of all. The only things I do know and have heard is that Rodriguez is starting a new conjunto, the Facebook page for Los Fantasmas del Valle has been deactivated, and that the rest of the scheduled 2017 dates have been cancelled for the longtime conjunto.<br />
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The group has been one of the longest lasting conjunto groups in Rio Grande Valley history. This Mercedes-based band got the name Los Fantasmas del Valle from Alejandro Perez — the brother of the conjunto legend Gilberto Perez — after they recorded "Mis Pasos Andaran", a spooky song about a man who died but came back as a ghost to haunt his girlfriend.<br />
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At the time, Los Fantasmas del Valle was led by bass player Hector Barron, bajo-sexto player Julian Figueroa and accordionist Gilberto Rodriguez. The latter left after a run that lasted several years. Several accordionists rotated in and out, until Mike Gonzalez secured the role in 1975. He held on to that accordionist position for 25 years until he fell ill in 2000. <br />
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That’s where Rodney Rodriguez comes in. The story is a famous one of how he joined Los Fantasmas del Valle. Barron received a recommendation from a fellow conjunto musician named Freddie Gonzalez to check out this young accordionist from Rio Grande City. An audition was scheduled at the Burger King in Pharr, near the Expressway and I Road (now called Veterans Road).<br />
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The 16-year-old accordionist had already been playing conjunto music for several years. He first started playing at the age of 13 in Rio Grande City at a air conditioning shop that was owned by Richard Lund. This was his big shot at joining one of the most popular conjunto acts in the Valley.<br />
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Rodriguez’s father gave his son a ride from Rio Grande City and he introduced himself first to the band.<br />
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"The Fantasmas thought that my dad was actually me," Rodriguez told me in 2015. "That he was the guy that was going to audition. Dice mi apa, 'Pues dejame traer a mi hijo.'" (My dad said, 'Well let me go get my son.')<br />
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He hopped out of the car surprising the band of older musicians by how young he looked.<br />
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"Me arranque con ella," (I started shredding it,) Rodriguez said. "They were surprised. They were like, 'O lo hizo igualito.' No mas oyeron esa y me dijo Hector, 'Alistate pa' el weekend.' Asi fue la cosa." (‘Oh, he did it exactly the same (as Gonzalez).' They just heard it and Hector told me, 'Get ready for the weekend.' That's how it went down.)<br />
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A few weeks later Los Fantasmas del Valle, with Rodriguez on board, traveled to Washington, D.C., where they represented South Texas conjunto music at the Smithsonian Folklife Festival in the Summer of 2000.<br />
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As their accordionist, Rodriguez would be an important member of the group for the next 17 years. During that period Los Fantasmas del Valle became one of the most consistent conjunto acts of the 2000’s. They played all throughout the Rio Grande Valley and South Texas: at La Lomita Park in McAllen, the Narciso Martinez Cultural Arts Center Conjunto Festival in San Benito, and even at the Tejano Conjunto Festival in San Antonio. They also released multiple CD’s and merchandise during this time frame.<br />
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With Rodriguez gone, an era has come to an end. No word yet what is the plan with Los Fantasmas del Valle. But the good news is that Rodriguez, who at the young age of 33 already has a lifetime of experience, plans to continue carrying the torch (or accordion, in this case) for conjunto music well into the future.<br />
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<i>I’ve been in touch with Rodney Rodriguez and we are planning to have an interview in the coming weeks to discuss his future in conjunto music. So we will keep you updated about what he plans to do in the conjunto music world. </i>Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com6tag:blogger.com,1999:blog-1697223795063277262.post-56894252054555699952017-09-22T16:06:00.000-05:002017-10-16T16:07:05.564-05:00Television Time Remaining: Pirata Morgan in Hidalgo and my own personal history with wrestling.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTll24bJQisJQpILOB9ia9c5Hy497yFpZbCYpCS54Vgh0cBz6stKQdUcqCAvyXqrW4XRrfgA97n8ADxI74z_h1SYwSkE51OuU7FqxInbN9veTmOnBDerE1GUTR5LlEWudUn8Ses32D13E/s1600/Pirata+Morgan+spanking+Corazon+de+Barrio.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="773" data-original-width="1393" height="177" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTll24bJQisJQpILOB9ia9c5Hy497yFpZbCYpCS54Vgh0cBz6stKQdUcqCAvyXqrW4XRrfgA97n8ADxI74z_h1SYwSkE51OuU7FqxInbN9veTmOnBDerE1GUTR5LlEWudUn8Ses32D13E/s320/Pirata+Morgan+spanking+Corazon+de+Barrio.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pirata Morgan spanking Corazon de Barrio.</td></tr>
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<br />
It was Mexican Independence Day this past Saturday, and Promociones Salinas presented a free lucha libre event at the State Farm Arena in Hidalgo, Texas. The main event featured Pirata Morgan, or as he’s been calling himself “El Mejor Luchador del Mundo” (“The Best Wrestler in the World”) for decades, teaming up with Super Parka, who is the uncle of the famous L.A. Park (the original La Parka that was in AAA in the early 1990’s and WCW in the late 1990’s). The two rudos took on the técnico team of Corazón de Barrio and Hijo de Mascara Sagrada.<br />
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In his prime during the 1980’s and 1990’s, Morgan was legitimately one of the best wrestlers in Mexico, and someone who could do a little bit of everything. He’s best known for his blood soaked brawls with El Dandy, El Volador, El Faraon, Masakre, and Los Brazos. Now at 55 years of age, he gets on by with his tremendous charisma, beyond vulgar trash talking, great looking and sounding strikes, and a unique connection with his audience. Legends who gave their body and dropped buckets upon buckets of blood during their long and storied careers will always have a special place in the hearts of lucha libre fans.<br />
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As is the case with traditional lucha libre, the técnicos and rudos were one fall a piece as they entered the third and deciding fall. Morgan started using weapons he found at ringside, including a “Caution: Floor Is Wet” sign to batter his foes, even spanking Barrio with it. The kids screamed when the rudos were in control, and went wild when Barrio and Sagrada made their comeback, punishing Morgan, Parka, and the corrupt referee with the very “Caution: Floor Is Wet” sign that was used against them. “Una sopa de su propio chocolate” (“A taste of their own medicine”) is something always pleases a crowd. The good guys one, the bad guys lost, and most importantly, the kids went home happy.<br />
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After the match, the rowdy Morgan turned into a gentleman as he sold shirts, cute little dolls of himself, and took selfies with anyone that was interested. One shirt had a Spanish saying that basically translated to: “Today is a good day to [expletive] you up.” An older woman near me laughed and shook her head when she read it. The crew packed up, and did it all over again for another crowd of fans at Rio Grande City later that day.<br />
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It’s been a great year for professional wrestling in 2017, and I’ve been lucky enough to go to many shows this year, from local lucha libre events to EVOLVE, NXT and the WWE Royal Rumble in San Antonio to the Scenic City Invitational in Tennessee. It’s been a blast and it’s been making me think of my own personal history with wrestling. I’m a fan of a lot of things, and share many interests, but nothing has caught my attention quite like wrestling has for the past 20 plus years. <br />
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Recently I was talking to my dad on the phone and I brought up how I was watching WWE Monday Night Raw, and he asks, “Te acuerdas cuando fuimos a ver Andre The Giant y el Ultimate Warrior.” (“Do you remember when we went to see Andre The Giant and the Ultimate Warrior?”)<br />
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He was referring to a WWF (now called WWE) event in Edinburg, at the Pan American University Fieldhouse on September 1, 1989. The card featured Mission native Tito Santana, Rick Martel, Jim Duggan, Haku, The Rockers, and a short 30-second main event between the Ultimate Warrior and Andre The Giant. The Ultimate Warrior quickly beat Andre The Giant, who was near the end of his Hall of Fame career.<br />
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I laughed and answered, “No pos, tenia no mas 3 años, no me acuerdo.” (“No well, I was only 3 years old, I don’t remember.”)<br />
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He laughs and confirms I was sleeping next to him and my older brother Angel Pablo for most of the show. Decades later I very much regret that I slept through that experience.<br />
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I caught various glimpses of wrestling over the early 1990’s, and loved playing with my older brother’s WrestleMania NES video game, action figures, and a pair of board games that WWF and the Texas-based WCCW released during the 1980’s. My dad and older brother were big fans of “Macho Man” Randy Savage, and when my little brother Christian was born in 1990, he got the middle name “Randy” because of that.<br />
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In 1993, I started watching a little bit of wrestling on my own, specifically WWF, and bought some trading cards of WCW, that I still have lying around somewhere. But it wasn’t until 1995 where I just got hooked, and never looked back.<br />
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One Thursday night, October 19, 1995 to be exact, I was channel surfing and came across the USA Network. They were showing a replay of a WWF Monday Night Raw episode that had originally been broadcast on October 16, 1995. The main event was a steel cage match between Bret “The Hitman” Hart and Isaac Yankem, DDS, an evil dentist that Jerry “The King” Lawler brought in to do his dirty work. Lawler’s interfering led to him being placed in a ‘Shark Cage’, and eventually Hart overcame Yankem by escaping the big blue cage. For whatever reason, this really silly match just resonated so much with me as a kid. From that point on, I kept watching wrestling week after week, catching Raw, WCW Monday Nitro on the TNT Network, and lucha libre.<br />
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During an episode of Raw, commercials began airing for a local wrestling event that was taking place in Harlingen, at what was then called the Harlingen Field. I convinced my dad to buy us tickets at the local HEB, and I ended up attending with him, and my two brothers. This is what I constantly refer to as my first live wrestling experience. The card consisted of mostly regional talent like Scott Putski, Black Bart, but the real draws of the show were the Guerrero Brothers — Chavo and Hector Guerrero.<br />
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By that point, I had already become a big fan of Eddie Guerrero on WCW television, so I was excited to go see his older brothers wrestle in person. But what I didn’t know at the time was how experienced and great Chavo and Hector were, both as a tag team and in singles competition. That was the highlight of the night, seeing the Guerrero’s tear it up inside a ring that had the “Valley Morning Star” logo on the apron skirt. The peak moment for me was when the Guerreros busted out the “Estrellita” llave, a hold that is usually only seen in Mexico or in lucha libre influenced Japanese promotions. Just like my most recent experience, the wrestlers all hung out afterwards, and I got an autograph from the Guerreros on a program I had bought at the event.<br />
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Since then, I’ve been blessed to continue to go to so many wrestling events, seeing everyone from El Hijo del Santo to Ric Flair to Eddie Guerrero to the Undertaker to Perro Aguayo to John Cena. Like Miguel Angel Salinas was telling me right before his event this past Saturday, it’s a very addicting experience. From that first show I went to with Los Guerreros to this last one with Pirata Morgan, there’s nothing quite as fun as going to a wrestling show. I’ve been to a major UFC show, to big boxing fights, to Spurs games, and I’ve had a great time at all those events, but there is something special when it comes to a wrestling event, whether it’s in front of 50 people at the pulga or in front of 50,000 people at the Alamodome.<br />
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In the coming weeks, I’m going to be sharing more and more about the current independent wrestling scene here in the Valley and beyond. There is just so much great stuff happening in 2017, and I think it deserves to be documented and covered. As for now, time has run out, but tune in next week for more on the independent wrestling scene of 2017.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqMvwSCsz4AAthxxFSREkFxM1aCjP9lOHb_6HxTs1hwGKVKeWj1xqLKL5mbkdti07qPHG5ohbZUZ9sKblEwIGQQssEWFFue_hpAuN_nhdqZsHbKaROnxuftIC49FPBWbyPq3aZL5KmiyU/s1600/Los+Guerreros+in+the+ring+at+the+Harlingen+Field.+November+9%252C+1996%252C+photo+by+Eduardo+Martinez..jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="547" data-original-width="837" height="209" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqMvwSCsz4AAthxxFSREkFxM1aCjP9lOHb_6HxTs1hwGKVKeWj1xqLKL5mbkdti07qPHG5ohbZUZ9sKblEwIGQQssEWFFue_hpAuN_nhdqZsHbKaROnxuftIC49FPBWbyPq3aZL5KmiyU/s320/Los+Guerreros+in+the+ring+at+the+Harlingen+Field.+November+9%252C+1996%252C+photo+by+Eduardo+Martinez..jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Los Guerreros in Harlingen back in 1996.</td></tr>
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Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-70558396546082691432017-09-15T16:12:00.000-05:002017-10-16T16:14:05.574-05:00Big Weekend of Lucha Libre Action<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSrm42IR3Dc_Xp06yspSmYKaG8M509YD1y4i4GStGTcOIkDBnQuWdbtCjiOJJ0mVMMPRrBjp7jg387nbxQ-LPsBy0iV0bHSBSuhrAuLq0rSGIdDX654b2AXWw7RkLHz9KtZ1dPb7K6s3Q/s1600/18809265_158158261390566_8360427508390166528_n.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1350" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSrm42IR3Dc_Xp06yspSmYKaG8M509YD1y4i4GStGTcOIkDBnQuWdbtCjiOJJ0mVMMPRrBjp7jg387nbxQ-LPsBy0iV0bHSBSuhrAuLq0rSGIdDX654b2AXWw7RkLHz9KtZ1dPb7K6s3Q/s320/18809265_158158261390566_8360427508390166528_n.jpg" width="256" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">A young Pirata Morgan.</td></tr>
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This weekend, two of the biggest Mexican pro wrestling stars from the 1980’s and 1990’s will be making appearances in the Rio Grande Valley. The legendary Pirata Morgan, a brawler who wears an eye patch (he legitimately lost his right eye during a match in 1981) will be part of the line-up at the Fiestas Patrias 2017 at the State Farm Arena in Hidalgo, Texas on Saturday. The event is completely free and open to the public. Fito Olivares is also scheduled to be performing for that occasion. Brazo de Plata, better known to many as Super Porky, will be the focal point of the “Gran Homenaje Brazo de Plata (Super Porky)” event at Club Fuego in McAllen, Texas. Tickets for that event are $15.00 for adults and $5.00 for children.<br />
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Morgan has become a regular for the local Promociones Salinas crew in recent years. In the 1980’s and 1990’s, the ring announcer would often refer to him as “El Mejor Luchador del Mundo” (“The Best Wrestler in the World”). Morgan has wrestled with so many of the major names in lucha libre, in singles, tags, and trios matches, including El Dandy, El Satanico, El Faraon, Masakre, and so many more. In 1989, he was part of a memorable rivalry, where his trio that included Hombre Bala and El Verdugo feuded with Los Brazos of El Brazo, Brazo de Oro, and Brazo de Plata (Super Porky). Morgan would later take part in the CMLL World Trios Championship Tournament Finals, where he teamed up wtih MS-1 and El Satanico to form Los Infernales. They battled Los Brazos in a classic match, one of the best pro wrestling matches of the 1990's. Morgan would reverse a victory roll from the late Brazo de Oro to win that match.<br />
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I first saw Morgan wrestle live in December 12, 2005 at the then named Tejano Saloon in Pharr. He teamed up with El Maniaco to face El Hijo del Santo and Alebrije in a great match.<br />
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While teaming with his brothers under the Los Brazos brand, Porky became one of the most beloved luchadors of the 1980’s, 1990’s, and 2000’s. The three brothers lost their masks in a famous match against Los Villanos (Villano I, Villano IV and Villano V) in Monterrey, Nuevo Leon in 1986. In May of 1991, Porky participated in one of the most popular matches of that year, when he teamed up with his brothers to face El Dandy, Popitekus and Super Astro. He would go on to hold the CMLL World Heavyweight Championship for one year, in 1993-1994. Porky had an interesting decade in the 2000’s, where he dabbled in mixed martial arts in the DEEP promotion in Japan, and as a comedic character on WWE Smackdown in 2005-2006. He would go to AAA after his time in the WWE was up.<br />
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I last saw Porky at Club Fuego when he teamed up with El Hijo del Santo, for what would be Santo’s last Valley appearance, on June 2, 2013.<br />
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Porky’s sons, Maximo and Psycho Clown, are two of the biggest current stars in lucha libre. Clown just beat Dr. Wagner Jr. in a great ‘Mask vs. Mask’ match at AAA’s TripleMania XXV, on August 26, further cementing him as one of the top faces of modern day lucha libre.<br />
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No matches have been announced yet for the Club Fuego event by Robles Promotions, but Mr. Electro, Maximo, Corazon de Barrio, Brazo de Plata Jr. are some of the names that are scheduled to be wrestling. Doors open at 3 PM. As for the State Farm Arena show by Promociones Salinas, Morgan will be teaming up with Corazon de Barrio to take on Super Parka and Hijo de Mascara Sagrada, and Quinto Elemento and Asterisco Jr. will face Mysterio and Cruz Jr. That event starts at 2 PM.<br />
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"I grew up watching live lucha since I was like 5 years old, watching my father wrestle in Mexico," said Miguel Salinas, promoter of Promociones Salinas. "Very entertaining, if you haven't seen live lucha libre you're missing something that will be addicting for the rest of your life. My son is 9 and has been watching wrestling for 5 years. He will probably do the same as his dad."Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-60324763436133874042017-09-08T16:16:00.000-05:002017-10-16T16:16:36.843-05:00The 7th annual Freddie Gomez Memorial Conjunto ConcertThe 7th annual Freddie Gomez Memorial Conjunto Concert took place this past Saturday night in Brownsville, and it was a loving tribute to conjunto music as a whole, and to the pioneers of this genre of music in South Texas.<br />
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Timo Ruedas, Juan Antonio Tapia, Lupe Saenz, and all the people at the South Texas Conjunto Association (STCA) deserve credit for leading the way for grassroots conjunto music here in the Rio Grande Valley. When this event was organized, the idea that the STCA Brownsville Chapter had in mind was to have sons of conjunto pioneers honor their legendary fathers. So we had Santiago Jimenez Jr., the brother of Flaco Jimenez and a 2015 recipient of the National Medal of the Arts, paying homage to his father Don Santiago Jimenez Sr.<br />
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Santiago Jr. went up there, drank a bit of beer (he famously has talked about how drinking beer helps him perform on stage, adding a little bit of flavor to his music and helping put him at ease), and delivered a great 45 minute set. At one point, someone asked that he play “El Rosalito”, and he honored that request. The highlight to me was seeing him perform “Viva Seguin”, the great polka from his father, and a piece that has lived on thanks to Flaco and Santiago Jr. At the end, Santiago Jr. got a bit choked up during his emotional rendition of “Homenaje A Don Santiago Jimenez”, a corrido that told the story of his father. Afterwards, Santiago Jr. sold copies of his new CD, which has a cover photo of him receiving the National Medal of the Arts from former President Barack Obama.<br />
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The second chapter of the night was with Ricky Guzman III and Ricardo Guzman Jr. paying tribute to Ricardo Guzman Sr.; Ricky III’s grandfather and Ricardo Jr.’s father. Ricardo Guzman Sr. had the locally famous band Ricardo Guzman y Sus Tres Ases (bajo-sexto player Ricardo Jr. has carried on the brand of the band in recent years). Ricky III is one of the best young accordionists around today, and there were more people dancing during this set than at any other point of the night. Last time I saw Ricky III was at my neighborhood Jamaica at St. Anne’s Church, and I love his unique, Edinburg-conjunto-Tex-Mex style. Some of the Guzman family was in attendance, wearing a Guzman conjunto t-shirt that said “Conjunto Hasta La Muerte” with a skull. It looked so cool. Best moment of this set for me was when Ricky III started busting out “El Coco Rayado” and “Juana La Cubana”. <br />
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Finally the Gilberto “Chore” Perez Jr. y su conjunto stepped on the stage to close at the night in Downtown Brownsville. Bajo-sexto player Gilberto Jr. announced a warm message from his father, Gilberto Sr., who resides in Mercedes and is still an active performer in the local conjunto scene. The conjunto played a nice variety, including a polka, a huapango, and even the Gilberto Sr. classic “El Dia de tu Boda”, one of my all time favorite songs. Composed by Ramon Medina, the song was recorded at Falcon Records by the composer and Gilberto Sr. on November of 1959. The emotional song also reminded me of my own father, who always remembers the song from his childhood.<br />
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"Ibamos a piscar algodon, y el troquero tenia un radio (We went to go pick cotton, and the trucker would have a radio)," Felix Martinez, my dad, told me. "Las muchachas jovenes, todo el dia estaban cantando la cancion (The young women would be singing 'El Dia De Tu Boda' all day long)."<br />
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Tapia deserves a special shout out for the different roles he took on during the night: a key member of the Brownsville chapter of the STCA, the bajo-sexto player for Santiago Jr., and the accordionist for Gilberto Jr. He did a great job on all fronts.<br />
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So all in all, it was a lovely night of conjunto music in Brownsville this past Saturday night. Was also happy to see many conjunto regulars in attendance, like Raul and Amelia Martinez, and the Perales Family. You know it's a great conjunto event when you see these folks there.<br />
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I’m very much looking forward to the next year’s celebration of conjunto music. With the future of the Narciso Martinez Cultural Arts Center Conjunto Festival being uncertain, after having established itself during its 25-year run, this annual event in Brownsville might become the only community conjunto festival for this region. So if you can make it out there the next time this extravaganza takes place, I strongly recommend you check it out and support it. Like that shirt said, "Conjunto Hasta La Muerte".Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-51108629722024513202017-09-01T16:17:00.000-05:002017-10-16T16:17:32.094-05:00September Round-Up<div class="separator" style="clear: both; text-align: center;">
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This week, we're going to have a round-up of some of the most anticipated Tejano, conjunto, and cultural events of the month of September.<br />
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--Two of the biggest stars in Tejano orquesta music will be returning to the Rio Grande Valley on September 9, Saturday night. “The Legend Dance of the Year” will be headlined by Little Joe y La Familia and Ruben Ramos. Joe and Ramos are two of the very few Tejano orquesta leaders from the glory days of the 1960’s, 1970’s, and 1980’s that are still consistently working. The event will be taking place at the Catholic War Veterans dance hall in Weslaco, and entrance is $25.00 for the first 300 people, and $30.00 for anyone that arrives after the initial 300. For more information, call 956-522-5962.<br />
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--The great Sunny Ozuna and Big Crown Records teamed up for ‘Mr. Brown Eyed Soul’, a compilation of Ozuna’s beautiful songs from 1966 to 1972. I plan to have a full review up in the coming weeks, but to give y’all a preview right now, it’s strongly recommended. Amazing track selection of what made Ozuna such a special voice in Chicano Soul music. This is being released in several different formats including MP3, CD, LP, and a limited edition special colored vinyl LP. To pre-order, go to https://bigcrownrecords.com/store/<br />
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--La Lomita Park will be back in action in September, and they start things off this Sunday night, September 3, with Los Fantasmas del Valle. Pepe Maldonado is still working on the rest of the acts for this month, but we will have more information as soon as the rest of the bands for September are confirmed. Entry fee is $10.00, and the music starts at 6 PM every Sunday night. For more information on these upcoming events, you can visit https://www.facebook.com/lalomitapark?fref=ts or call La Lomita Park owner and promoter Pepe Maldonado at 956-867-8783.<br />
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--Tomorrow, on September 2, the 7th annual Freddie Gomez Memorial Conjunto Concert will be taking place in the Historic Brownsville Downtown District, between the Capitol Theater and El Jardin Hotel. The theme of the event is “Sons of Conjunto Legends”, and will feature performances from Gilberto Perez Jr. y su conjunto, Ricardo Guzman Jr. y Los 3 Aces, and Santiago Jimenez Jr. y su conjunto. There will also be a “So You Think You Can Dance Conjunto” competition, a 20-plus minute dance marathon where participants will dance in different conjunto styles and rhythms like vals, bolero, redova, shotiz, cumbia, polka, and finally, a huapango. The event is open and free to the public, and is being organized by the South Texas Conjunto Association (STCA) Brownsville Chapter.<br />
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--If you’re looking for something to do before the big boxing showdown between Saúl ‘Canelo’ Alvarez and Gennady Gennadyevich Golovkin, his years September 16's Fiestas Patrias at the State Farm Arena will feature the iconic cumbia hit maker Fito Olivares, and lucha libre that includes the legendary brawler Pirata Morgan, who used to be announced as “El mejor luchador en el mundo” (“The best wrestler in the world”) during his heyday in the late 1980’s, early 1990’s. For more information visit http://cityofhidalgo.net/events/.Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com2tag:blogger.com,1999:blog-1697223795063277262.post-21005979275131263302017-08-18T16:19:00.000-05:002017-10-16T16:20:32.916-05:00Oscar Hernandez is Someone To Look Out For<div class="separator" style="clear: both; text-align: center;">
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Oscar Hernandez is a Pharr accordionist that is often overlooked when talking about the giants in accordion music. I think he's someone that more people should be familiar with, he's one of the greatest musicians of this region.<br />
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His name is spelled two different ways, sometimes it's spelled "Oskar" and other times it's spelled "Oscar". Not sure what is the actual correct spelling but I'm going to refer to him as "Oscar" in this piece. When he was a kid, he already had his own band here in the Valley.<br />
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His first band that got him a lot of attention was Oscar Hernandez y Los Profesionales. He also performed with Oscar Hernandez y Los Alegres del Valle.<br />
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There had been a rumor that the reason Paulino Bernal hired him to be in El Conjunto Bernal was because he saw him as an accordion threat or as someone better than him on the squeezebox, during that early 1960's era. I asked Bernal about it once.<br />
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Bernal begins, "I said, 'Well I started hearing him, he was a tough musician playing great accordion [music] and if you can't beat him, join him," he laughed and then continued, "We did incredible things with those accordions."<br />
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Manuel Peña talked about Hernandez's addition to El Conjunto Bernal in his amazing book "The Texas-Mexican Conjunto: History of a Working-Class Music":<br />
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"[Paulino] Bernal broke ranks with his peers by not only adding a second accordionist to the group (in the person of the young but highly regarded Oscar Hernandez) but at the same time following Hernandez's lead in switching to the unheard of chromatic, or five-row, button accordion. With this addition El Conjunto Bernal's break with past practice was accomplished in one stroke. The contrast between the old and the new Bernal was nothing short of radical, especially when viewed in the light of the musical climate of the time. The new combination made possible a wide range of sororities, as the Bernal-Hernandez tandem combined to record such polkas as "Idalia", with its intricate execution and fast chromatic passages."<br />
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In his post-Conjunto Bernal days, he played with Oscar Hernandez and the Tuff Band, which included the recently departed Jessy Serrata as the singer. One of the cool songs they did together was "Desde Ayer", a progressive-sounding Tejano-conjunto cover of The Beatles' "Yesterday". The group as a whole had a very post-modern conjunto sound to it that was very unique at the time. They really built off what Conjunto Bernal had done in the 1960's and took it to another direction.<br />
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In the 1990's Hernandez would release a rare solo CD titled "Playing With Myself". It was arguably the most experimental and jazzy sounding conjunto album I've ever heard. One of the great gems of conjunto music, and can't be compared to anything else out there.<br />
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So if you ever want to treat yourself to an accordionist that hasn't gotten the attention he truly deserves, check out the music of Oscar Hernandez of Pharr, Texas. He's up there with the giants like Esteban Jordan, Eva Ybarra, and Paulino Bernal when it comes to accordion music.<br />
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Note: Oscar Hernandez has declined to be interviewed several times over the past five years. People interested in wanting to know more about him can learn about him at the Border Studies Archive, where an old interview of him exists there.Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com1tag:blogger.com,1999:blog-1697223795063277262.post-68809501997314126502017-07-07T01:12:00.000-05:002017-07-09T01:13:07.003-05:00WWE's first show in HidalgoAs WWE returns to the State Farm Arena this Sunday night with their ‘WWE Smackdown!’ brand line-up, I thought it would be a good time to look back at the first WWE show I attended. <br /> <br />Before 2003, I had attended local pro wrestling promotions, lucha libre in Reynosa, and a taping of WCW Monday Nitro. WWE hadn’t had a show in the Rio Grande Valley since 1995, when they stopped by at South Padre Island. So this would be their first show here in 8 years, at the then newly opened Dodge Arena in Hidalgo, now named the State Farm Arena. <br /> <br />I was a 17-year-old Senior at PSJA North High School in Pharr, and was bugging (and begging) my dad to take my brother and me to the show. The week before the event, he went to the arena and got us some tickets for the 'WWE Smackdown!' house show (untelevised event) that would take place on Monday night, November 17, 2003. <br /> <br />We arrived pretty early, and teenaged me was so pumped up when I saw Eddie Guerrero and Rey Mysterio Jr. — my two favorite wrestlers at the time and now at 31 years old, I can add "of all time" — approaching the fans as they came out of their rental cars. They started hanging out at the parking lot before the start of the show, autographing everything that was put in front of them. I lent Eddie my pen so he could sign an autograph for me and the other fans that were there in that particular area. After he finished signing autographs, he handed the pen back to me, and said “Thank you” in his natural voice. He was all smiles that day.<div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiriNSwZUsdcCpt9xcYWY4G6SiWSqLeaR8WmIQwoiPkjdfXjegns8pUi6x5mRQFsexSR5r41IKuMY3kvXG9rUjZfRASk5emj6VucGYoi4Rvip0ociDVs1Ny8z_D57SXhgCw_MU7x8XytuI/s1600/Photo+I+took+of+my+brother+Christian+with+Eddie+Guerrero.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiriNSwZUsdcCpt9xcYWY4G6SiWSqLeaR8WmIQwoiPkjdfXjegns8pUi6x5mRQFsexSR5r41IKuMY3kvXG9rUjZfRASk5emj6VucGYoi4Rvip0ociDVs1Ny8z_D57SXhgCw_MU7x8XytuI/s320/Photo+I+took+of+my+brother+Christian+with+Eddie+Guerrero.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Christian Randy Martinez and Eddie Guerrero. </td></tr>
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At the time, Guerrero was starting to become a huge star to Mexican and Chicanx audiences across the Southwest. In 2015, I interviewed Dave Meltzer of the Wrestling Observer Newsletter about Guerrero during this time period for an article I was working on but that never got published. <br /> <br />"I noticed it very early on, it was probably about a year-in-a-half before he started getting the big push,” Meltzer told me during our phone conversation. “At the time, I was getting the quarter hour breakdowns of not just 'Smackdown!' but of 'Smackdown!' in all these different markets. So I noticed that Los Angeles, Houston and Dallas, there were certain markets, where Eddie and Rey, whenever they were on TV, [the ratings] wouldn't just go up, it would skyrocket. Then at the same time, 'Smackdown!' was the number one English language network show in Hispanic homes. So I'm looking at those two things, putting one and one together, so that's when I figured it out. That's when I think [WWE] started opening their eyes, that Eddie was more than just a good [in-ring] worker, that he had that potential."<br /><br />That night in Hidalgo, Eddie teamed up with his nephew Chavo Guerrero Jr. for a match against the Basham Brothers. It was a really good match, but in that arena on that night, it felt even better than that, because the heat from the crowd was amazing. Super loud, non-stop "Eddie" chants throughout, from beginning to end. <br /><br />Every minor thing he would do would get a huge reaction. There was a funny moment or two where Eddie asked the crowd to show Chavo some love as well. Which they did for a bit, as we got some "Chavo" chants before the crowd decided to go back to the "Eddie" chants. It's something me, my dad, my brother Christian, my friend Leo Avila, and many other folks who were there that night always remember. The Guerreros lost by disqualification, but most don't even remember that detail, as the Guerreros quickly made everyone forget when they just frog splashed the Basham Brothers and celebrated with a fan's flag of Mexico. <div>
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<tr><td class="tr-caption" style="text-align: center;">Los Guerreros celebrating with a Mexican flag. </td></tr>
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In the months that followed, ‘WWE Smackdown!’ became so interesting. There was such a heavy Chicanx and Mexican presence all over the show and the storylines that were presented. In February of that year, "El Maromero" Jorge Paez appeared in Rey Mysterio Jr.'s super corny but pro-immigrant WWE music video "Crossing Borders". Eventually Paez became Mysterio's back up when he was feuding with Chavo Guerrero Jr. and Chavo Guerrero Sr. But more importantly, to me, the whole show started to revolve around Eddie Guerrero. <br /> <br />On February 15, 2004, Guerrero beat Brock Lesnar for the WWE championship at the "No Way Out" PPV at the Cow Palace in California and the main event storylines went on to touch upon racism, xenophobia, and much, much more. Some things could have been handled better but there was a clear attempt to cater to a pro-Guerrero audience. Guerrero feuded with Kurt Angle and JBL, resulting in a blodbath classic with the latter at the “Judgment Day” PPV on May 16, 2004, two weeks before my graduation. <br /><br />In the years before and after that, I’ve gone to so many shows, from WWE to AAA to TNA to ROH to NXT to EVOLVE, seen John Cena, the Undertaker, Perro Aguayo Sr., AJ Styles, El Hijo del Santo, Ric Flair, Shinsuke Nakamura, Chris Hero, L.A. Park, Daniel Bryan, but that one night in 2003 still remains my favorite pro wrestling-related memory. It's the one I cherish the most, it's the one I've talked about the most. When I did the Pharr From Heaven Photo Exhibit last year at Yerberia Cultura, the exhibit started with the photo I took of Guerrero that night. It was so great, I ended up missing the next day of school since I legitimately couldn’t go to sleep that night from how excited I was about it. What a great memory. <div>
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<tr><td class="tr-caption" style="text-align: center;">Autographs of Rey Mysterio Jr. and Eddie Guerrero.</td></tr>
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Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-80845850092268737772017-06-30T04:54:00.000-05:002017-06-30T05:02:13.610-05:00Negro Casas slipping off the ropes in his match against Ultimo Dragon, on March 26, 1993<div class="separator" style="clear: both; text-align: center;">
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Take a look at the slip in the video above. I see it as Negro Casas' own twist of a staple spot we see in high stakes, lucha libre singles, usually championship or apuesta matches in the 1980's and 1990's. In many matches throughout that era, a wrestler would go out on the apron, survey the crowd to see if he should do a high risk move off the top rope. The chances always felt like 50/50 if he could hit the move or if he would crash spectacularly.<br />
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These spots, when done right, might be the only time I've ever seen an audience actively encourage, sometimes beg a wrestler not to do something exciting, as the risk and stakes are just too damn high.<br />
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In this instance, Casas milks this spot for all its worth, as he looks to the audience, visually asking if he should climb or not. Listen to the loud "No!" from the audience. Someone in the crowd can even be seen wagging their finger. "El publico dividido, unos dicen que si, otros que no," ("The public is divided, some say yes, some say no,") the announcer proclaims.<br />
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Casas decides to take his chance, climbs up the corner, and slips in the most realistic manner possible. It's hard to really grasp whether he legitimately slipped or if this was intentional, but I believe in Casas so strongly that I can't help but lean towards the latter. The announcer, almost mockingly, says, "Ah...solito." ("Ah...all by himself.")<br />
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The audience reaction is huge. Some can be heard laughing, while others are whistling to tease Casas after his grave error. Casas would lose the third fall to Dragon a few minutes later with a Tiger Suplex, dropping his UWA World Middleweight Championship to his Japanese rival. "No se recuperó el Negro Casas," ("Negro Casas didn't recover,") said the announcer as Dragon celebrated in the ring.<br />
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Of all the guys I've seen do this spot, and I've seen many, this was by far my favorite take on it, and I felt like it worked so perfectly within this match. He just didn't have enough in him to even attempt his move off the top. His gas tank was running on empty, and the end for Casas started with a crash to the mat.<br />
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PS: This might be bullshit, but I sometimes think that the reason Casas beat La Fiera in a Hair vs Hair match 7 months later on October 1, 1993 with a top rope splash, was to build off this famous spot. A bit of a macho deal where he wants to prove something to himself, to the audience, to Dragon, to Fiera, and in this high stakes instance, his big risk paid off.<br />
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<br />Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-6995763638119892072017-06-30T01:03:00.000-05:002017-07-09T01:04:04.613-05:00July Round-Up<div class="separator" style="clear: both; text-align: center;">
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This week we are going to take a look at some of the most anticipated Tejano and conjunto events that are coming up.<br />
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--The 19th annual South Texas Conjunto Association “Conjunto of the Year” award extravaganza is taking place at The Full Court venue, 1817 N. Broadway St. in Elsa on July 16. The following bands are nominated for the “Conjunto of the Year” award: Boni Mauricio y Los Maximos, Hache III, Conjunto Baraja de Oro, Ruben de la Cruz y su conjunto, Conjunto Los Leones, Conjunto Impulso de Ernesto Cadena, Tomas Navarro y Conjunto Amable, Mikey G y Los Realez, Delta Boys, Jaime y Los Chamacos, Lazaro Perez y su conjunto, Los Garcia Brothers, Los Morales Boyz, Ruben Garza y La Nueva Era, Conjunto Kings de Flavio Longoria, Conjunto Fuego, Roger Arocha y su conjunto, Bernardo y sus Compadres, Los Thunderbirds, Los Texmaniacs, Ricardo Guzman Jr. y sus 3 Aces, Ruben Rivera y su conjunto, Santiago Garza y La Naturaleza, Mando y La Venganza, Conjunto Califas, Ricky Naranjo y Los Gamblers. Last year’s winner for the top prize was Ricky Naranjo y Los Gamblers of Alice, Texas. Other awards include honors for composer of the year, song of the year, drummer of the year, bass player of the year, bajo-sexto player of the year, accordion player of the year, vocalist of the year, and album of the year. To see all the nominees and vote on your conjunto favorites, please visit https://www.surveymonkey.com/r/Coy192017. For more information contact Lupe Saenz, president of the STCA, at 956-463-6909.<br />
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--Rodolfo “Rudy” Lopez, bajo-sexto player and founder of the Conjunto Heritage Taller, and Juan Lugo, accordionist will be returning to the Narciso Martinez Cultural Arts Center in San Benito for the monthly series ‘Conjunto Nights at the Chicho’ on July 20th. $5.00 donation at the door, snacks and drinks will be provided during the intermission to the performance. For more information call 956-367-0335.<br />
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--Timo Ruedas of the South Texas Conjunto Association announced that the 7th annual Freddie Gomez Memorial Conjunto Concert is taking place at the Historic Brownsville Downtown District on September 2, 4 PM to 11 PM. The theme of the event will be son's of conjunto legends. The announcement of what bands will be performing will be released in the coming weeks.<br />
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--Tejano powerhouse The Hometown Boys will be returning to the Valley on July 15, 7 PM to midnight, at the Outta Town Dance Hall in Mission. For more information and to buy tickets, call 956-584-1812.<br />
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--Jaime y Los Chamacos will be stopping by in Brownsville at the Tex-Mex Night Club on June 30, Friday night, at 9 PM to 2 AM. The legendary conjunto of Jaime de Anda has been playing conjunto music since the 1980's, and is regarded as one of the best conjuntos of their generation. Tickets are $15 presale, and $20 at the door.Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-30384717937327396672017-06-23T00:20:00.000-05:002017-06-30T01:48:26.928-05:00Four Summer Jams To Check OutThis week, I'm going to recommend four great Rio Grande Valley jams to check out this Summer, to add to your Tejano and conjunto playlists.<br />
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“El Corrido de Jhonny el Pachuco” by Esteban Jordan - "El Corrido de Jhonny El Pachuco" is a wild take on Victor Cordero's "Juan Charrasqueado". The original lyrics are transformed into Jordan's unique language and Rio Grande Valley surroundings. He changes things up, adding terms from his own vocabulary like "al alba", "chismear", "cholas", "muy alto", and "slicka".<br />
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The classic tune is now arranged with Jordan's accordion as the lead instrument, and he does some amazing things on the squeezebox on here. The tale that Jordan tells here is set in Robstown, TX, but McAllen, TX is referenced in passing, where this song was recorded in the 1970's. The master was later acquired by Arhoolie Records, and re-released there on vinyl and CD in later years. Might be my favorite Jordan song ever.<br />
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“El Dia de tu Boda” - by Gilberto Perez - This song was composed by Ramon Medina, a Rio Grande Valley musician who performed with Ruben Vela y su conjunto and Gilberto Perez y su conjunto. Esta cancion was first recorded by Gilberto Perez y su conjunto on November 1959 for the local Falcón Records company. It got a lot of airplay in regional music radio stations. In 1968, Los Tigres del Norte did a cover of this song for their debut album. This is such a great song, and a classic conjunto standard.<br />
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“Visito Estos Barrios” by Los Chachos - Los Chachos branched out from the style that Conjunto Bernal established in the 1960’s, and would go on to become one of the top South Texas conjunto acts of the 1970’s. Cha Cha Jimenez’s vocals stand out among everything else, but one of the most interesting sounds to come out from them is their accordion. "At that the time, I remember thinking it was an organ," Karlitos Way Accordions (Karlos Landin, Jr.) told me. "(The style) had a different edge because of the organ, but then I came to find out years later that that wasn't an organ. It was Bobby's Cordovox chromatic accordion that had like 25 switches on it. It had so many different sounds. It sounded like an organ; it sounded like a chromatic. It sounded like all these different things. The first one that told me about that accordion was (accordionist) Joel Guzman." Check out “Visito Estos Barrios” to sample this very unique sounding accordion.<br />
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“Luna Azul” by Delia Gutierrez Pineda - This is from Delia Gutierrez, originally of Weslaco, and her father's group, The Eugenio Gutierrez Orchestra. This was recorded either in 1951 by Falcon Records out of the Mission/McAllen area. Gutierrez was one of the most popular singers of the area during that era, where she also recorded with Discos Ideal. She came from a musical family, and one interesting note is that her mother was related to local accordion legend Pedro Ayala. This particular recording was acquired and uploaded online by Arhoolie Records. This a beautiful take on “Blue Moon” by Gutierrez.<br />
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<br />Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com1tag:blogger.com,1999:blog-1697223795063277262.post-21729346268994009332017-06-16T00:30:00.000-05:002017-06-30T00:31:53.884-05:00RIo Jordan To Perform At Galax Z Fair VIThis weekend is the return of Galax Z Fair VI, and I’m most excited about seeing Rio Jordan and Juanito Castillo on Saturday night, June 17. I last saw the group at the “As I Walk Through the Valley” premiere in Edinburg, and it was awesome, as usual. I then saw Castillo, the group’s wild accordionist, who is the protege of the great, late Esteban Jordan, at Guilly's Honky Tonk in La Feria, where he did some awesome interpretations of “Las Nubes” and “Coco Rayado”. So I’m very familiar with Castillo, and if you’ve never seen him live, this is a great, great chance to go out of your way to check him out. Just an amazing musician. Here are three videos to check out, to get yourselves ready for Saturday night.<br />
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--Juanito Castillo y Rio Jordan in San Benito (10/25/14) - This is a video I took of Juanito Castillo y Rio Jordan opening their set with Esteban Jordan's "La Polka Loca" piece. It was awesome seeing Eva Ybarra and Rio Jordan back-to-back earlier that night in San Benito. Two great, unique accordionists that do a lot of experimental work within the conjunto form. Castillo here just goes all out, and it’s a great showcase for what he can do on the squeezebox.<br />
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--Esteban Jordan video uploaded by SuperMando1990 - This is a super rare video that appeared to have been recorded off television in Mexico. It includes Esteban Jordan y Rio Jordan performing, and a interview. Love the quality too, reminds me of messing around with the antenna when I was a kid to get channels outside the Valley. Some great clips of what the legendary Jordan could do on the accordion, along with his sons Esteban Jordan III, Ricardo Jordan, and Castillo.<br />
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--Rio Jordan featuring Juanito Castillo at TCF 2015 - Robert Treviño is someone who has recorded so much great conjunto footage these past few years and someone who I strongly recommend to check out. Here he gets up close and fantastic footage of current Rio Jordan band members Esteban III (on the guitar), Ricardo (on the bass), Castillo (on the accordion), and Alejandro Valdez (on the drums). Great footage of this young, great conjunto.<br />
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--”Acordeones de Tejas” (1/5/12) - This was the longlasting show that was shot, directed, and edited by South Texas Conjunto Association mastermind Lupe Saenz, out of Donna, TX. It ran on KMBH, local public television, and was my favorite local program ever. This right here is a good episode of "Acordeones de Tejas", it features Frankie Caballero from East Donna, Rio Jordan with Juanito Castillo and Rocky Beltran. Really neat stuff from all the musicians involved.<br />
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--”Juanito Castillo - The Blind Me” - This is an amazing jazz piece on the Tex-Mex Steve Jordan Rockordeon. The title refers to Castillo being blind, and he just goes off on these amazing runs that no one else even comes close to doing in conjunto music. Please check out what he’s doing at the 1:45 mark, just running his fingers up the buttons, in total control of his instrument. Castillo is still very young, but he’s already a master when it comes to the accordion. He pretty much continues on this onda on another video that you should check out called “Juanito Castillo - Improv”, where it appears he says “AJ Castillo, take your jazz piece somewhere else”, essentially calling out, another conjunto accordionist for his jazz performance. Accordion call outs, what a decade we live in.<br />
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<br />Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com1tag:blogger.com,1999:blog-1697223795063277262.post-77048872753323329502017-04-14T01:54:00.000-05:002017-06-30T01:56:04.993-05:00Road to La Villa Real Part 3<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmKVbdaqEGfflGWxb4lKceN63g55tuwTI0IuaGux1a0TYShmdlTPsgsObUnrn_FTrsmWOan3KMbnuaLYfrNSpD3uPxHMqiXSYNsKMMzhTneLLojYTU3EXf9AMgSADAMSE1EFtXtDFEPxc/s1600/Selena+performing+at+La+Villa+Real+in+1992%252C+photo+from+The+Monitor.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="554" data-original-width="750" height="236" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmKVbdaqEGfflGWxb4lKceN63g55tuwTI0IuaGux1a0TYShmdlTPsgsObUnrn_FTrsmWOan3KMbnuaLYfrNSpD3uPxHMqiXSYNsKMMzhTneLLojYTU3EXf9AMgSADAMSE1EFtXtDFEPxc/s320/Selena+performing+at+La+Villa+Real+in+1992%252C+photo+from+The+Monitor.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Selena performing at La Villa Real in 1992, photo from The Monitor</td></tr>
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After many successful years of promoting events at the McAllen Civic Center, Arnaldo “Nano” Ramirez Jr. knew it was time to secure a venue of his own. He first secured ten acres on Bentsen and Expressway 83 in McAllen. Then one night at a club, while hanging out with some friends, Ramirez met someone that was involved in the insurance business.<br />
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"Discussing my situation, she said, 'I can get you the loan, if you insure yourself for the amount of the loan. That's all you have to do.' I can't believe it's going to be that simple but it sounds great,” Ramirez said. “So I did apply, and it was going to get approved. The only requisite was, that I had to get a local bank to do the inner-financing. It was an unbelievable how I came across this insurance agent."<br />
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After being denied at several banks across the Rio Grande Valley, Ramirez ended up at First Aid Bank and Trust Company in Mission. The president of the bank, Elliot Bottom, had a friendship with Ramirez's father. That played a role in Ramirez obtaining that meeting.<br />
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"I went to go visit [Bottom] and made my presentation. Right then and there, [he said], 'Why do you need to inner-finance? I'll finance this project for you. Give me some more details, bring me the whole package and let me look at it.' This was the end of June of 1977."<br />
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Bottom looked over the details and approved the project a few days later. Bottom said the only thing he needed from Ramirez, was for him to put the land up for collateral. One issue though — Ramirez was still making payments on that property.<br />
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"I went to Mr. Gegenheimer, asked him, if he could basically release the land, even though I still owed him, so I could put it in the bank and fund my project. He went ahead and released it to me, our payments were basically without even a contract, just a verbal agreement. It was an unbelievable relationship, the old school, the word of a gentleman, a handshake. It was unbelievable back in those days. He completely gave me the property. I went to the bank, put it for collateral, got the financing."<br />
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As soon as the papers were signed, everything started moving forward from that point on. Ramirez and his crew, broke ground on Labor Day Weekend 1977. Ninety days from that weekend was the target date for the grand opening.<br />
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With a week left before its first concert, Ramirez estimates he spent up to twenty-hours a day working to have the place ready. He had contracted the Country Roland band as his first act for his new venue. <br />
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Now a day away, Ramirez was worried because the tables and chairs had not yet arrived. At 1 PM on opening day, the shipment of the tables and chairs finally arrived, much to the relief of everyone. A crew of twenty people opened up the crates and set them up.<br />
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"I had everything set-up, it was basically a miracle," Ramirez said.<br />
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As the doors opened for the very first time, Ramirez headed home to get dressed. He estimates that he had not slept in two days by this point. He was as exhausted as he was excited. <br />
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After the event, the place was a mess. Beer cans were littered throughout. While he was originally distraught by how dirty the place looked, he soon found out that if his venue was clean after an event, it meant that the event was not successful. The messier, the better.<br />
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So on December 3, 1977, La Villa Real was born.Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com1tag:blogger.com,1999:blog-1697223795063277262.post-81524779248941880482017-04-07T01:52:00.000-05:002017-06-30T01:52:59.363-05:00April Round-Up <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU60DZ3fOQZ0PZmEhO7R3BelQalX_qmMZILlr4uog5duILNh-yVe57C6WRSFRpJ7BjAGeCWPzu0HYLLilDve016Z8iT38dQdYrisGr0GyCqUO5VLAVwI5Ogum09r5qFF-jx8AxSBdhrGI/s1600/Gilberto+Perez+and+Pepe+Maldonado+Photo+from+Raul+Robert+Perez.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU60DZ3fOQZ0PZmEhO7R3BelQalX_qmMZILlr4uog5duILNh-yVe57C6WRSFRpJ7BjAGeCWPzu0HYLLilDve016Z8iT38dQdYrisGr0GyCqUO5VLAVwI5Ogum09r5qFF-jx8AxSBdhrGI/s320/Gilberto+Perez+and+Pepe+Maldonado+Photo+from+Raul+Robert+Perez.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gilberto Perez and Pepe Maldonado Photo from Raul Robert Perez</td></tr>
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This week, we're going to have a round-up of some of the most anticipated Tejano, conjunto, and cultural events of the month of April. Next week we will have part three of our La Villa Real series.<br />
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--South Texas conjunto legend Pepe Maldonado has lined up the month of March with another quality list of top conjunto acts from the Valley and beyond. Thanks to Joe Maldonado for reaching out and always letting me know the upcoming schedule. At La Lomita Park in McAllen, the following artists will be stopping by in the coming weeks of April: Los Badd Boyz del Valle and Grupo Soledad (April 9), Pepe Maldonado y su conjunto and Ruben Rivera (April 16), Ruben de la Cruz y su conjunto and Los Delta Boys (April 23), Los X2Gs de Hector Gonzalez and Los Gilitos de Riley (April 30). Entry fee is $10.00, and the music starts at 6 PM every Sunday night. For more information on these upcoming events, you can visit https://www.facebook.com/lalomitapark?fref=ts or call La Lomita Park owner and promoter Pepe Maldonado at 956-867-8783.<br />
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--Salinas Promotions is hosting a lucha libre event at Los Portales Pulga in Alton on April 29, Friday. The main event will be a UWA championship match between Corazon de Barrio and Laredo Kid, who recently wrestled for EVOLVE during Royal Rumble weekend in January. Hector Garza Jr., better known to some as El Hijo del Ninja, and El Zorro will also be in action. More names and matches should be announced in the coming weeks. Pre-sale is $15 for adults, two kids can get in for $10, and those prices increase by $5 at the door. For more information, call 956-457-9828.<br />
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--The Rio Grande Valley premiere of the documentary “As I Walk Through The Valley” will be premiering on Saturday, April 8, at the Edinburg Auditorium at 7 PM. The documentary, which premiered at SXSW in Austin a few weeks ago, covers different eras and bands throughout Valley music history. Readers of this column may be especially interested since there is a section in the film on Esteban Jordan, the great conjunto accordionist from Elsa, and an interview with his sons. I also make a brief appearance at some point in the film. After the screening there will be a Q&A and performances from Ralph & The Cruisers, Rio Jordan (sons and family of Esteban Jordan), Confused, Panteon, and DeZorah. Even is completely free.<br />
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--There will be a High School Conjunto Competition and Conjunto Student Showcase at the Jacob Brown Auditorium in Brownsville on Saturday, April 15. For more information email info@brownsville.org.<br />
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--Texas Folklife will be having their ‘Big Squeeze’ Finals at the Bob Bullock Museum in Austin on April 22, Saturday, at 1 PM. Rio Jordan, Ruben Moreno, and The Gulf Coast Playboys will be performing. We will see the finalists compete and one champion will be crowned in each of the following categories: Polka (German, Czech and Polish music), Zydeco (Cajun, Creole and Zydeco music) and Conjunto (Norteño, Tejano and Conjunto music). For more information, visit TexasFolklife.org.Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-40102641537133765342017-03-31T01:50:00.000-05:002017-06-30T01:50:38.070-05:00Road to La Villa Real Part 2<div class="separator" style="clear: both; text-align: center;">
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The first event Arnaldo “Nano” Ramirez Jr. held at the McAllen Civic Center took place on October of 1971, and it was headlined by Tejano star Ruben Ramos and conjunto accordionist Tony de la Rosa. While they filled up the house, Ramirez ended up losing money at the concert. What exactly happened that first night?<br />
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"We had a packed [house] that night, and when we were doing the finances, I realized that we had lost money," Ramirez said. "I told my wife [Dalinda], she was in charge of the door, of the box-office. How could we have lost money, the place was almost sold out. She asked me, 'Where were you all night?' Well I was in the front door, greeting people. Thanking them for coming to the dance. She continued, 'Yeah, what else were you doing? Half of them, you let them in free, cause you knew them. The people that sell you the shirts at the department stores, do they give you the shirts? No. Do the people you let in from the grocery store, do they give you free groceries?'"<br />
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Ramirez proudly credits his partner, Dalinda Ramirez, for making him a successful concert promoter. The following Tuesday night, Ramirez had a second dance at the McAllen Civic Center. He still greeted everyone, except this time, he did so after they had already bought a ticket.<br />
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With his promoter career underway, Ramirez would soon arrive to a deal with a star that would push him to the next level.<br />
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"Freddie Martinez of Corpus Christi, had a big, huge hit, the biggest hit in the country -- "Te Traigo estas Flores"," Ramirez explained. "He was being dictated by Paulino to pay him $350. So I made a deal with him that I would pay him $1500, and I would book him in Harlingen on Monday, Tuesday in McAllen and Wednesday in Harlingen. "<br />
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Ramirez explains that Martinez influenced other bands to follow suit and jump ship, ultimately leaving Bernal’s umbrella of musicians. Ramirez would offer more money guaranteed than what his competition was offering. The dynamics in the local scene were starting to change and get heated. After a year in a half, a syndicate meeting was arranged between various concert promoters to discuss the Rio Grande Valley promoter rivalry between Ramirez and Bernal. Ramirez explains that this syndicate of promoters, which booked Mexican and Mexican-American musicians across various territories across the nation, attempted to pressure Martinez to go and team up with Bernal.<br />
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"At that time, Freddie and I had become very good friends, there was no cell phones back then, but he was keeping me in touch from a public phone, calling me at the house," Ramirez said. "At the end of the meeting, Freddie said he was sticking with his guns and staying with me. And if the other promoters [of that syndicate] didn't want to take him, there were other promoters in those other cities that would take him in a heartbeat. The meeting came to an end and I continued, still doing my events on Tuesdays. Paulino continued doing his on Mondays."<br />
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A year later, another syndicate meeting was scheduled in New Braunfels. This time they invited Ramirez, along with Martinez, to discuss a compromise. According to Ramirez, the group asked him if he would be interested in having alternate weeks with Bernal; one week a Bernal concert on Monday, the following week a Ramirez concert on Tuesday. Ramirez and Martinez stood their ground and rejected their suggestions.<br />
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Several months later, the rivalry between Ramirez and Bernal came to an end. Bernal took a different direction in life, as he left the music industry and moved on to become an evangelist. With Bernal out of the picture, Ramirez was now without any direct competition. He notes that there were other promoters here in the Valley, like Joe Vera and others, but they got along just fine.<br />
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"He had an old Lacks building in Weslaco called Vera's Palladium. But we were really not in the same type of competition, even though we were both utilizing the same bands. We respected each other and we had no problems. Of course, after a while, Joe Vera left doing concerts so I was by myself."<br />
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After many years of working with the McAllen Civic Center, Ramirez was ready to take a new step in his professional life. The idea of getting his own venue kept lingering in his mind. In 1976, Ramirez started looking for properties for where he could build a place of his own. During that year, he developed a friendship with Mr. Gegenheimer, who happened to own some property on Bentsen and Expressway 83 in McAllen. The two came to an agreement and Ramirez secured ten acres there. Now he needed to find a way to raise more money to continue his dream.Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-83225564318255709142017-03-24T01:47:00.000-05:002017-06-30T01:48:51.185-05:00Road to La Villa Real Part 1 <div class="separator" style="clear: both; text-align: center;">
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After a two-year stint in the Navy, Arnaldo ‘Nano’ Ramirez Jr. was discharged from active duty on May 1968. As he was driving down 10th street, he came across a marquee at the McAllen Convention Center. It read — "Tonight A. Ramirez."<br />
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"I thought in the back of the mind, 'Oh, they are going to make me a welcome back party here in the Civic Center. Welcome back A. Ramirez. Me. (laughs)'," Nano Ramirez explained in an interview in 2013. "Of course, the night came and nothing happened."<br />
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Shortly after, he found out that 'A. Ramirez' stood for Agustin Ramirez and that they were having dances at the McAllen Civic Center. Hosted by Paulino Bernal, these weekly events were known as El Baile Grande.<br />
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Now back in the Valley, Ramirez started working at Falcon Records, the family business. He took inventory, shipped records, and worked in the warehouse. He eventually became a part of the bookkeeping, taking care of the accounts and payroll.<br />
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It didn't take long for Ramirez to start getting involved in the recording aspect of his father's business. He went into producing, becoming more familiar with the recording process.<br />
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One day, while reviewing the inventory, he stumbled across a master of a Rene & Rene recording. Two school teachers from Laredo, they had a domestic and international hit in 1964 titled "Angelito". While Ramirez was away, his father Arnaldo Ramirez Sr. had contracted Rene & Rene for six songs. Falcon released two 45's that didn't resonate with the public. Ramirez estimates that less than a thousand singles were sold.<br />
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Ramirez took note that this master had two Rene & Rene tunes that had never been released. One of those songs was a catchy, bilingual number by the name of "Lo Mucho Que Te Quiero".<br />
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"I went ahead on my own and put it out for release," Ramirez said.<br />
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The song was a hit. Ultimately, a deal between Falcon Records and White Whale Records was struck so that label could distribute the song into the international market.<br />
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"It just so happens that the song broke all barriers, sold over four million records," Ramirez said of the song that gained international acclaim and a spot on the Billboard Hot 100 chart. <br />
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Shortly thereafter, Falcon Records hired Rudy Banda, a producer to work on a subsidiary they named Bronco Records. This is the man that Ramirez points to as the person who pushed him into going up against Paulino Bernal and El Baile Grande.<br />
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"He was the one that basically influenced me to go against, who I considered the number one concert promoter in the United States, Paulino Bernal, right here in McAllen."<br />
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Bernal's Monday night dances had become a very successful weekly event here in the Valley. Along with his own group, Conjunto Bernal, these dances would feature the most popular Tejano and conjunto acts of the era.<br />
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"It was the biggest dance, I'd say, in the state of Texas," claimed Bernal in an interview I did with him in 2014. "Monday there was no competition and all the musicians were free (as in, not booked). Nobody would hire them anyway on Monday's. I had the choice of booking whatever I wanted to."<br />
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Originally, Ramirez was hesitant about competing against Bernal.<br />
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"How can I go against the biggest promoter in the United States? Not only is he one of the biggest promoter, he's got a TV show, he's a personality, he's got a record label, he's got Conjunto Bernal."<br />
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After a lot of persuasion, Ramirez was finally convinced to at least give it a shot. He scheduled his first Tejano dance, and contracted Ruben Ramos and Tony de la Rosa as his first two headline acts. These two performers didn't do business with Bernal, according to Ramirez. The event took place on October 1971, at the McAllen Civic Center.<br />
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[To Be Continued Next Week]Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-68643240216794935302017-02-12T00:59:00.000-06:002017-06-30T00:59:55.259-05:00Vera's Palladium in WeslacoThe locally famous Vera’s Palladium of Weslaco, Texas, was recently torn down on January 26, 2017. I never attended the place, but often heard of this place from the many musicians I’ve interviewed over the years. From Paulino Bernal of Conjunto Bernal, to Gilberto Reyes Jr. of Hohner Accordions, to the great Esteban Jordan of Elsa, they all spent a part of their lives at Vera’s Palladium.<br />
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But I first heard of this particular venue from my dad, when I was growing up. So I decided to interview him to try to get his personal recollections of the now, forever-gone Vera’s Palladium.<br />
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Felix Jose Martinez’ answers are translated to English in parentheses.<br />
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<tr><td class="tr-caption" style="text-align: center;">The demolished Vera's Palladium in Weslaco</td></tr>
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Eduardo Martinez: Did you go to Vera’s Palladium when you were young?<br />
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Felix Jose Martinez: Si, ahí tocaba con un grupo que se llamaba Sandy and the Silhouettes. Ahí íbamos en los Sábados y Domingos, y luego también en Martes. Pagaba bien poquito Joe Vera, en esos tiempos. (Yeah, I would play there with a group that was named Sandy and the Silhouettes. We would go Saturdays and Sundays, and also on Tuesdays. [Promoter] Joe Vera would pay very little, during that time.)<br />
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EM: What do you remember from going there?<br />
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FJM: Ahí tocaban bastante grupos. Iba mucha gente para bailar ahí. Iban los ‘chucos, de mas antes. Hay veces que se peleaban ahí y todo. (A lot of groups would play. A lot of people would go to dance there. The pachucos, from those days, would go there. There were times where they would fight and all.)<br />
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EM: Tú conocías a Joe Vera? (Did you know Joe Vera?)<br />
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FJM: Si, el cobrava cuando entrabas a la puerta. (Yeah, he was the one that charged at the door.)<br />
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EM: No te acuerdas cuantas veces fuistes a tocar? (Do you remember how many times you went there to play music?)<br />
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FJM: 15 o 20 veces. Tenian algo every week. Cuando no tenían baile, tenían skating rink. Pero si fui con bastante grupos. (About 15 or 20 times. They had something there every week. When there wasn’t a dance, they had a skating rink. But yeah, I went there with a bunch of groups.)<br />
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EM: Cuáles eran los otros grupos? (Who were the other groups?)<br />
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FJM: Te puedo hacer name unos cuantos, pero no me puedo acordar de todos. Bueno, hay tocaba Johnny Canales [y su orquesta], Los Fabulosos Cuatro, Chano Cadena [y su conjunto], Los Dos Gilbertos, Los Únicos, tocaban muchos grupos. Todos los grupos de aquí, tocaban ahí. (I can name you a few, but I can’t remember them all. Well, bands that played there were Johnny Canales [y su orquesta], Los Fabulosos Cuatro, Chano Cadena [y su conjunto], Los Dos Gilbertos, a lot of groups played there. All the groups from here, would play there.)<br />
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<i>(Delia Gutierrez-Pineda, along with Eugenio Gutierrez y su orquesta, sang and played at Vera’s Palladium for many decades.)</i><br />
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En esos tiempos, las orquestas dominated los conjuntos. Pero y luego hizo survive los conjuntos y las orquestas no. (In those days, the orquestas dominated the conjuntos. But then, the conjuntos survived, and the orquestas didn’t.)<br />
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EM: Y que le pasó a Joe Vera? (And what happened to Joe Vera?)<br />
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FJM: Se hizo retire Joe Vera. Tambien tenia Blue Moon [en Pharr] y un restaurante por la 281 de Pharr, por el pueblo. Se llamaba Joe Vera’s Restaurant. Se hizo retire y hicieron ahi una tienda de dollar store. (He retired, Joe Vera. He also had Blue Moon [in Pharr] and a restaurant by 281 in Pharr, downtown. It was called Joe Vera’s Restaurant. He retired and they made a dollar store there.)<br />
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EM: Cómo te sentiste cuando vistes que tumbaron el Palladium? (How did you feel when you saw that they destroyed the Palladium?)<br />
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FJM: Fue como surprise. Cada vez que pasaba, me acordaba. Nombre, hay muchas memorias de el Palladium. Tumbaron muchas memorias. Casi la gente de hoy en dia, no saben de todo eso. Estoy hablando de cuando yo tenía 19 years old. Ya voy a comprir 65. 46 years ago. (It was like a surprise. Every time I would pass by there, I would remember. There was so many memories of the Palladium. They tore down so many memories. The people of today, they don’t know about that. I’m talking about when I was 19 years old. I’m about to turn 65. 46 years ago.) <br />
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Muchas memorias de toda la música, canciones, todos lo que iban al skating rink, a tocar, todos lo que iban a bailar, todo. Muchas, muchas memorias. (So many memories of the music, the songs, everyone that would go to the skating rink, to play, everyone that would go to dance, everything. So many memories.)Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-16955225783792808082016-07-29T00:41:00.000-05:002017-06-30T00:41:48.378-05:00Q&A with Pedro Garcia <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Pedro Garcia</td></tr>
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This month's regional legend will be Pedro Garcia, a local actor who has worked on popular television series' like "Breaking Bad", and who has helped run the Pharr Community Theater for several years now.<br />
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Eduardo Martinez: Where were you born and raised?<br />
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Pedro Garcia: I was born in a suburb of Detroit, Michigan. A town called Trenton, Michigan in 1961. I was raised in Detroit until I was 10 years old and then my dad picked up the whole family and we moved to Hidalgo, Texas in 1970. I was raised there most of my life. My dad was from Hidalgo originally, but he had worked in Michigan for 18 years as a journeyman electrician for Great Lakes Steel Mill company.<br />
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EM: What experiences did you have in Hidalgo?<br />
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PG: It was wonderful. Hidalgo was right alongside the river and I had lots of friends. I also had to work a lot ‘cause my dad had a hardware store. I was taught at a very young age the responsibilities of being on time, of merchandising and everything. But I also got my days off and I got to play a lot. One thing that I liked doing was going alongside the river with my good friend Beto, even though my dad told me, “No te andes juntando con Beto, mijo! (“Don’t be hanging out with Beto, son!”) I would still hang out with Beto. You know, it’s amazing that bird watching is now real famous throughout the whole world. But when I was a kid, I didn’t know that it was called bird watching or anything. But me and Beto, we’d go to the big arboles (trees) along the river vato, and we’d chase the birds of all colors. We would look at them for hours, we even gave names to them.<br />
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Being a bird watches as a kid, without even knowing it, was one of my greatest experiences in Hidalgo. And going swimming in the canal at the Old Hidalgo Pumphouse. And fishing in the Rio Grande, getting big garfish and big catfish. It was wonderful, man.<br />
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EM: What got you interested in theater?<br />
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PG: Well see in 1979, I graduated from high school. I joined the Marine Corps. When I got out of the Marines, I didn’t know what the heck I wanted to do.<br />
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I went to Houston to work as a tree trimmer, for a tree company. Then I heard that they were hiring at a car lot, and I said, “I’m going to go try car sales instead of climbing trees and trimming branches.” When I was turning on a car one day, I heard that they had a school for broadcasting and I wanted to learn how to be a radio announcer. I went to college for one semester. I was going to major in communications and they said, “You need to take an acting class.” So when I took my first acting class in ‘85, I realized that I really liked this acting business. So then I moved to Albuquerque, NM, became a public affairs director for a radio station and got involved with a local community theater. I did 60 plays there in 10 years. After that, I got an agent, I did my first movie role called “Mad Love” (1995), with Drew Barrymore. Then I came to the Valley to be with my family.<br />
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EM: How did you get involved with the Pharr Community Theater?<br />
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PG: I was working in McAllen, for a theater company that I started called Teatro Nuestro Cultura. I had been directing. I directed like 35 plays. Elva Michael started the Pharr Literacy Project and needed a director for theater. She called me over, we talked about it, and we were able to make arrangements to do it. I’ve been here since 2008.<br />
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EM: You’ve also worked with two conjunto legends. First let’s talk about Wally Gonzalez.<br />
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PG: I had known him since I was a little boy because he used to play at the political dances in Hidalgo for my father. My dad was a commissioner for Hidalgo, and he ran for mayor. He would always invite Wally, and Wally would come. Wally was popular back in those days. They were playing him on the air, all the time. He had songs like “El Pajaro Grande”, “The Big Bird”, that supposedly everyone saw flying around the Valley. That was before the Chupacabras days!<br />
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So I met him when I was a young boy. I’ve been friends with him all my life. The other one, I think you’re talking about is [conjunto musician] Cha Cha Jimenez?<br />
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EM: Yes.<br />
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PG: I met him at the Pharr Literacy Project, he was standing outside one day when I was talking to some other people about a play that I was directing about the Vietnam war. This man just popped up, which was Cha Cha. I didn’t know at the time, I didn’t even recognize him. He says to me, “You know, I heard about your play about Vietnam. I was there.” I go, “Really? Wow, thank you very much. Would you like to be in our play?”<br />
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He says, “Maybe, I don’t know.” And then he asks me, “Do you know who I am?” I go, “No sir, I’m sorry.” He says, “I’m Cha Cha Jimenez.” That’s when I became starstruck, right away. I practically wanted to hug him, I was like, “Woah Cha Cha Jimenez!” I used to love his music. I always thought he sang to La Raza. His music was real brown, real beautiful. The way he would harmonize his voice, the way he would hang a note. Not very many people can do that. So when I met him, I was totally enthused.<br />
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When he told me who he was, I got him involved in my play. He played a bartender in Vietnam, in a place called the Saigon Cafe. He had to also sing “My Country Tis To Thee”, and man, Cha Cha did wonderful in his role. You can tell that he had discipline. This was towards the last years of his life. During the time that I was directing him in the play, he kept talking about an ailment and a sickness. He just said, that the doctor said that he had cancer. He kind of cried a little bit. It was very sad. He had the support of his wife. He was a very emotional guy but he stil had a lot of pride.<br />
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I was so sad when he passed away, after he did the play. Maybe 3 to 4 months later. It was quick, he had the type of cancer that consumed him quickly. His wife was with him to the very end. To say the least, Cha Cha was an awesome guy, and I was happy to have known him. I just felt like I wanted to know him more.<br />
EM: How did you secure the gig with “Breaking Bad”? Did you talk to Bryan Cranston, behind the scenes?<br />
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PG: Through my agent, Kandy Stewart, who runs Legacy Talent Agency in Austin. She got called by the casting director for “Breaking Bad”, that’s shot in Albuquerque, New Mexico. They had bit parts that they have to fill. They branched out to Texas, to look for people in Texas. They gave her the breakdown, “Hispanic guy, in his 40’s, 50’s.” So then she said, “Well I got Pedro.” She sent my picture, they said, “Yeah have him read this part.” I read the part. Then they gave me another part to read, and then later on, she called me and she says, “They want to cast you for the car wash manager, Pedro. Are you available?” I said, “Sure.” <br />
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I went to Albuquerque. I shot the scene and then I came back home. So they called me back, so I went back again. Of course, I only have that one speaking bit part, and yes I did meet Bryan Cranston on the set. The first day that I was there, he looked at me. He came up to me and he goes, “Pedro, great audition. Thank you. You know a little bit about your character? This is what I want. He likes his job, not in love with it, but he likes it, and he’s doing well. Basically that’s it.” I go, “That’s it, that’s great Bryan. That’s what I thought.” Then he says, “Okay”, and he moves aside to do some other work.<br />
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My friend, Steven Michael Quezada, who had a recurring role in “Breaking Bad”, he played “Gomie”. I called him on the phone. He wasn’t working that day, but he said, “I’m going to go over to the set, Pedro, I haven’t seen you in five or six years and I want to see you again.” Me and him did theater back in Albuquerque when I lived there. So Steven came to the set, and he brought me closer to Bryan Cranston, when Bryan was taking a break.<br />
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I was able to ask [Bryan] about taped auditions. I wanted his opinion, because that’s how I won the role. I never went to the audition live.<br />
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Nowadays, in my acting classes here in the Valley, locally, when people want to learn about acting, and they want to learn about how to tape your auditions, I can teach you how to tape your auditions. To try to win a role. To tape them properly so that the casting directors can know that you’re professional.<br />
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Bryan Cranston said, when I asked him, “That is an efficient way to cast, Pedro. I can tell if you can act or not if you send me a good tape, like you did.” That was it.<br />
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EM: Almost every year you do a run of “The Life and Times of Juanito Gonzalez”. What’s the history and story of that play?<br />
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PG: It’s my children’s play that I do every year. It was born in the town of Albuquerque, where I lived for 10 years, from ‘87 to ‘97. A literacy group asked me to do a children’s story about reading and writing, but to set it on Dia de los Muertos, because they were celebrating that over there. I said, “Why don’t I just write a play instead?” They go, “Okay, yeah.” So I wrote a 20 minute play at the time, based on reading and writing, and about loving a good life. This is how the Juanito Gonzalez character started. In the next 2 to 3 years, I added some more scenes to it, and it ended up being a 55 minute play, which it has stayed at.<br />
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I do it every year, around October, November, because it is about a guy who has been dead for 2 years. He’s 100 years old. He comes back, pulling his hack of books to his gravesite, to clean it up before his relatives come to visit on Dia de los Muertos. Then he notices that there is an audience! So he decides to tell everybody about his beautiful, wonderful life.<br />
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It’s a beautiful play, man. I love performing “The Life and Times of Juanito Gonzalez”. Schools, museums, art centers, all over the Southwest, and anywhere in the world.<br />
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EM: What have you been up to now in 2016?<br />
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PG: I've been producing plays for the Pharr Community Theater. Now we are presenting "El Color de Nuestra Piel", in Spanish. "The Color of our Skin", famous drama that was written by in the '50 in Mexico City, and won a prestigious prize for the playwright, Celestino Gorostiza. That plays deals with racism within the same family.<br />
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I also continue to teach acting classes to adults, one on one classes, for those serious wanting to learn believable acting. That's what I've been doing.<br />
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EM: When does this new play premiere?<br />
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PG: It opens July 28, this Thursday, and runs 'till August 7th. Two consecutive weekends. The times are Thursdays, Fridays, and Saturdays at 7:30 PM, and Sundays at 3 PM.<br />
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EM: Thank you so much for your time.Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-86185731652518979522016-07-22T00:46:00.000-05:002017-06-30T00:46:41.819-05:0018th Annual "Conjunto of the Year" Results <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmoZ33_uxpk-7xgTa-ydNRRzk62jZVdBaeP99wKkIaliHqc8wco6jYqs0e5xt7R7US3lNZZo8J3E9CtVRcoZb5mym8McIIskMvsGVFlcZRbDwig-2-TcniurgAg4Im1LlpjJlvDOyXWKw/s1600/Ricky+Naranjo+at+the+Tejano+Conjunto+Festival+2016+in+San+Antonio.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmoZ33_uxpk-7xgTa-ydNRRzk62jZVdBaeP99wKkIaliHqc8wco6jYqs0e5xt7R7US3lNZZo8J3E9CtVRcoZb5mym8McIIskMvsGVFlcZRbDwig-2-TcniurgAg4Im1LlpjJlvDOyXWKw/s320/Ricky+Naranjo+at+the+Tejano+Conjunto+Festival+2016+in+San+Antonio.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ricky Naranjo y Los Gamblers at the Tejano Conjunto Festival</td></tr>
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<br />This past Sunday night, the South Texas Conjunto Association (STCA) presented their 18th annual "Conjunto of the Year" Award Show at the KC Hall in Mercedes.<br />
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The MC once again for the occassion was Rick Garcia of Hacienda Records. A special presentation was held for the late accordionist Gilberto Garcia, of Los Dos Gilbertos, who passed away in September of 2015. The Garcia family was there on his behalf.<br />
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Gilberto Garcia wasn't the only legend honored that night. Gilberto Perez Sr., Efrain Solis, Cande Aguilar Sr., Roman Martinez, Ruben Garza, Temo Lopez and Tomas Vasquez all walked away with a "Lifetime Achievement" award.<br />
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First set of awards were for composers, radio stations, conjunto spots, and a special recognition. Oscar Soliz walked away with the composer crown, Super Tejano 102.1 was tabbed as the top radio station, Bossman's Night Club in San Antonio was picked as the top conjunto spot, and Conjunto Puro Corazon got a special recognition award.<br />
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As far as recordings go, honors were in order for "Single of the Year" and "Album of the Year", and "Ya Me Voy Para Siempre" by the Hometown Boys and "Lo Mejor y Mas" by Ruben de la Cruz y su conjunto took home both those prizes, respectively.<br />
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The next set of categories represented the key components of the conjunto ensemble — Los Badd Boyz del Valle won for "Conjunto Dueto of the Year", Oscar Anzaldua of Los Tejano Boys won for "Male Vocalist of the Year", Katie Lee Ledezman won for "Female Vocalist of the Year", Ruben Mendoza of Los Chamacos won for "Drummer of the Year", Bene Fonseca of Los Fantasmas del Valle won for "Bass Player of the Year", Max Baca of Los Texmaniacs won for "Bajo-sexto Player of the Year", and Steven Martinez of Hache 3 won for "Accordion Player of the Year".<br />
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"It felt great," Katie Lee Ledezma said. "I'm super happy to know how proud my supporters are that I got the female vocalist award. It means the world to me that they still have hope that one day I'll be the first female that brings conjunto music back into the charts. Something like this award gives me a boost to continue."<br />
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The title award of "Conjunto of the Year" was, as always, saved for last. After an energetic performance from Gilberto Perez Jr. y su conjunto, with Tapia on the accordion, Garcia went to the podium to announce that Los D Boyz were the "Conjunto of the Year".<br />
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Then there was only one award left, which was the "Conjunto of the Year" award. This year's best conjunto prize went to Ricky Naranjo y Los Gamblers, out of Alice, TX.<br />
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Ruben Naranjo III, the group's accordionist and vocalist, is especially proud of this accomplishment.<br />
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"We would like to take this time to thank God for always guiding us down the right path, the fans for voting for us and for being with us every step of the way, the radio stations that support our music and the South Texas Conjunto Association for all of their hard work and dedication to conjunto music. We are honored and humbled to be the 2016 STCA Conjunto of The Year."<br />
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Samantha Perales, a longtime attendee of these annual extravaganzas, shared her favorite moments with us.<br />
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"My favorite moments from the event were the arrival of the special guests, musicians, and friends," Perales said. "Also the excitement of seeing so many conjunto legends all in one place, such as Gilberto Perez, Chore Perez, Fruty Villarreal, Gilberto Lopez, Flavio Longoria."Eduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com0tag:blogger.com,1999:blog-1697223795063277262.post-72991973937452857392016-07-15T15:56:00.002-05:002016-07-15T15:56:27.255-05:0018th annual "Conjunto of the Year" Award Ceremony in Mercedes<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEish3g9x9o9bVQiI5XrnthEUrl-rPCNboFi1dlK7RW_cyUhOKeykrW46Lmgxd5Le_rMU_DLlR2tz_mXK-oDTAVbYHu0h4LcztSFEEAlUelDuSK9dvKxo8cS0jIEyB8DgKGSs7ixizGjd5U/s1600/Gilberto+Garcia.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEish3g9x9o9bVQiI5XrnthEUrl-rPCNboFi1dlK7RW_cyUhOKeykrW46Lmgxd5Le_rMU_DLlR2tz_mXK-oDTAVbYHu0h4LcztSFEEAlUelDuSK9dvKxo8cS0jIEyB8DgKGSs7ixizGjd5U/s320/Gilberto+Garcia.jpg" width="213" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The late Gilberto Garcia of Los Dos Gilbertos (Edinburg)</td></tr>
</tbody></table>
On Sunday night, the South Texas Conjunto Association (STCA) will be hosting their 18th annual "Conjunto of the Year" award ceremony at the KC Hall in Mercedes, TX. The annual Rio Grande Valley extravaganza honors the very best in conjunto music year after year.<br />
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This year's ceremony is dedicated to the memory of the late Gilberto Garcia, of the Edinburg conjunto Los Dos Gilbertos. He passed away on September 21, 2015.<br />
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"Gilberto Garcia was an icon in conjunto music as a member of the Los Dos Gilbertos," said Lupe Saenz, STCA president.<br />
A special painting of Gilberto Garcia by local artist Roel Flores will be presented to the Garcia family at the beginning of the evening.<br />
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"He was one of the most consisted conjunto musicians that kept the genre going strong even in the face of (conjunto music) disappearing during the strong presence of Tejano music in the 1980's and 90's, when radio stations were making the switch to the Tejano genre."<br />
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Los Dos Gilbertos were crowned the "Conjunto of the Year" in the year 2000.<br />
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How are the winners chosen? Saenz explained the process to me.<br />
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"Early in the year, we start to make inquiries to the public about who should be the next conjunto of the year. Then, we start to follow and watch those conjuntos that are making an impact and are having a strong year. We, then ask a 10 member committee from Houston, San Antonio, Laredo, Austin, and the RGV to make nominations based on this information. We also get input from record companies around the state and suggestions from radio personalities. We then make a ballot and let the people decide who wins in each category."<br />
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Different categories also honor the top album, single, accordionist, vocalists, bajo-sexto player, drummer, and bass player in conjunto music. <br />
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There will also be "Lifetime Achievement" awards handed out to six conjunto legends — Gilberto Perez, Sr., Efrain Solis, Cande Aguilar, Sr., Ruben Garza, Temo Lopez and Tomas Vasquez.<br />
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Throughout the program there will be over 15 different conjuntos performing, including but not limited to: Conjunto Kingz de Flavio Longoria (San Antonio), Boni Mauricio y Los Maximos (Corpus Christi), Ruben de la Cruz y su conjunto (Elsa), Katie Lee Ledezma y su conjunto (Brownsville), Los Badd Boyz del Valle (Elsa), and Gilberto Lopez y sus Hijos (Edinburg).<br />
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The event will be streamed via audio on online radio stations "El Magico Show", "DJ Dora Da Explorer Radio", and "Tejano Radio", and will be broadcast on public television at a later date in August. It will eventually be uploaded online for fans to check out later in the year.<br />
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As for the rest of the year, the local organization does have some more things on their plate, and continues to urge fans to continue to support their local conjunto events. <br />
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"We have other events on the schedule including more dances and more conjunto concerts," Saenz said. "People must continue to support conjunto music in the Valley or it will be gone."<br />
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What: 18th annual "Conjunto of the Year" Award Ceremony.<br />
When: June 17th, 5 PM to 10 PM.<br />
Where: KC Hall, 150 N Ohio Ave, Mercedes. <br />
Tickets: $10.00<br />
Contact: For more information, call 956-454-2207<br />
Website: conjunto.orgEduardohttp://www.blogger.com/profile/08690857662624301953noreply@blogger.com12